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Droll Tales: The Second Decade by Honore de Balzac. New York. 1929. Covici Friede. 279 pages.  hardcover.  Illustrated by Jean De Bosschere. Translated from the French by J. Lewis May.

 

 

droll tales the second decade covici friede 1929 no dwFROM THE PUBLISHER -

   Droll Stories, collection of short stories by Honoré de Balzac, published in three sets of 10 stories each, in 1832, 1833, and 1837, as Contes drolatiques. Rabelaisian in theme, the stories are written with great vitality in a pastiche of 16th-century language. The tales are fully as lively as the author’s masterful Comédie humaine series, but they stand apart for their good-humoured licentiousness and historical wordplay. Droll Stories -  Volume 2, The Second Ten Tales. CONTENTS: The Three Clerks of Saint Nicholas; The Continence of King Francis I; The Merry Quips of the Nuns of Poissy; How the Chateau D’Azay Came to Be Built; The Sham Courtesan; The Danger of Being Too Innocent; A  Dear Night of Love; The Sermon of the Merry Vicar of Meudon; Love’s Despair; The Succubus; Epilogue.

 

 

 

Balzac Honore de  Honoré de Balzac (20 May 1799 – 18 August 1850) was a French novelist and playwright. His magnum opus was a sequence of short stories and novels collectively entitled La Comédie humaine, which presents a panorama of French life in the years after the 1815 fall of Napoleon. Due to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multifaceted characters, who are complex, morally ambiguous and fully human. His writing influenced many subsequent novelists such as Marcel Proust, Émile Zola, Charles Dickens, Edgar Allan Poe, Fyodor Dostoyevsky, Gustave Flaubert, Benito Pérez Galdós, Marie Corelli, Henry James, William Faulkner, Jack Kerouac, and Italo Calvino, and philosophers such as Friedrich Engels and Karl Marx. Many of Balzac's works have been made into or have inspired films, and they are a continuing source of inspiration for writers, filmmakers and critics. An enthusiastic reader and independent thinker as a child, Balzac had trouble adapting to the teaching style of his grammar school. His willful nature caused trouble throughout his life and frustrated his ambitions to succeed in the world of business. When he finished school, Balzac was an apprentice in a law office, but he turned his back on the study of law after wearying of its inhumanity and banal routine. Before and during his career as a writer, he attempted to be a publisher, printer, businessman, critic, and politician; he failed in all of these efforts. La Comédie humaine reflects his real-life difficulties, and includes scenes from his own experience. Balzac suffered from health problems throughout his life, possibly due to his intense writing schedule. His relationship with his family was often strained by financial and personal difficulties, and he ended several friendships over critical reviews. In 1850 he married Ewelina Hanska, his longtime love; he died five months later.

 

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