'Sippi by John Oliver Killens. New York. 1964. Trident Press/Simon & Schuster. 434 pages. hardcover. Jacket design by Charles & Cuffari.

DESCRIPTION - When the Supreme Court, in 1954, made its historic decision declaring segregation in public schooling unconstitutional, most Negroes felt that Jim Crow had finally been buried. Yet today there is more bitterness among Negroes toward whites, and among whites more ill-feeling toward Negroes, than ever before. Moreover, there has been a radical change both in the strategy and the attitudes of the Negro, regardless of geographic location, age grouping, economic outlook, or political affiliation. 'SIPPI is the first novel to explore fully the whole background that has motivated these changes, not in terms of statistics and human deprivation, but by exploring a wide cross section of human beings, both white and colored, reacting to their environment and to the stresses of changing times. The action is centered mainly in Mississippi, but it shifts to the campus of a Negro university in the South, then to New York, and finally back to where it began, in a shattering and terrifying climax. John Oliver Killens, of course, will be remembered for his two fine novels, YOUNGBLOOD and AND THEN WE HEARD THE THUNDER. His newest novel will bring to any reader an uncanny insight into what lies behind the headlines and into the minds and hearts of both Negroes and whites. It may not please you; it may even shock you. But once you have read it you will never again be complacent about what is happening to America's largest minority group.

AUTHOR BIOGRAPHY - John Oliver Killens (January 14, 1916 – October 27, 1987) was an American fiction writer from Georgia. His novels featured elements of African-American life. In his debut novel, Youngblood (1954), Killens coined the phrase "kicking ass and taking names". He also wrote plays, short stories and essays, and published articles in a range of outlets. Killens was born in Macon, Georgia, to Charles Myles Killens Sr. and Willie Lee Killens.His father encouraged him to read Langston Hughes' writings, and his mother, who was president of the Dunbar Literary Club, introduced him to poetry. Killens was an enthusiastic reader as a child and was inspired by writers such as Hughes and Richard Wright. His great-grandmother’s tales of slavery were another important factor in learning traditional black mythology and folklore, which he later incorporated into his writings. Killens graduated in 1933 from the Ballard Normal School in Macon, a private institution run by the American Missionary Association. It was then one of the few secondary schools for blacks in Georgia, which had a segregated system of public schools and historically underfunded those for black students. Aspiring to become a lawyer, Killens attended several historically black colleges and universities between 1934 and 1936: Edward Waters College in Jacksonville, Florida; Morris Brown College in Atlanta, Georgia; Howard University in Washington, D.C.; and Robert H. Terrell Law School in Washington, D.C. He also studied creative writing at Columbia University in New York City. Killens enlisted in the United States Army during World War II, serving as a member of the Pacific Amphibious Forces from 1942 to 1945. He spent more than two years in the South Pacific, and rose to the rank of master sergeant. In 1948, Killens moved to New York City, where he worked to establish a literary career. He attended writing classes at Columbia University and at New York University. He was an active member of many organizations, serving as a union representative to a local chapter of the National Labor Relations Board (NLRB) and joining the Congress of Industrial Organizations (CIO). Around 1950, Killens co-founded with Rosa Guy and others a writers' group that became the Harlem Writers Guild (HWG). His first novel, Youngblood (1954), dealing with a black Georgia family in the early 1900s, was read and developed at HWG meetings in members' homes. In his book, he first coined the expression "kicking ass and taking names". Killens became friends with actor Harry Belafonte, who after establishing his production company HarBel wanted to adapt William P. McGivern's crime novel Odds Against Tomorrow as a film. Belafonte picked Abraham Polonsky as the screenwriter, but since Polonsky had been blacklisted by the House Un-American Activities Committee, Killens agreed to act as his front and was credited with the screenplay for the film. In 1996, the Writers Guild of America restored credit to Polonsky for the film under his own name. Killens's second novel, And Then We Heard the Thunder (1962), was about the treatment of the black soldiers in the military during World War II, when the armed forces were still segregated. Critic Noel Perrin ranked it as one of five major works of fiction of World War II. Killens's third novel, Sippi (1967), focused on the voting rights struggles of African Americans during the civil rights movement of the 1960s. Slaves (1969), a historical novel by Killens, was developed from the screenplay for the film of the same name, intended to accompany its release. In The Cotillion; or, One Good Bull Is Half the Herd (1971), Killens explored upper-class African-American society. In addition to novels, Killens also wrote plays, screenplays, and many articles and short stories. He published these works in a range of media, including The Black Scholar, The New York Times, Ebony, Redbook, Negro Digest and Black World.[8] According to Kira Alexander, "On June 7, 1964, Killens reached his largest audience when his essay 'Explanation of the "Black Psyche"' was published in the New York Times Sunday Magazine." He produced five further articles, which were published in his 1965 collection Black Man's Burden. Killens taught creative-writing programs at Fisk University, Howard University, Columbia University, and Medgar Evers College. In 1986, he founded the National Black Writers Conference at Medgar Evers College. Named in the author's honor, The Killens Review of Arts & Letters is published twice a year by the Center. On June 19, 1943, Killens married Grace Ward Jones.[10] They had two children together: a son, Jon Charles (born 1944), and a daughter, Barbara (born 1947). In 1987, Killens died of cancer, aged 71, at the Metropolitan Jewish Geriatric Center in Brooklyn, New York. He was living in Crown Heights.

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