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Agents of Repression: The FBI’s Secret Wars Against the Black Panther Party and the American Indian Movement by Ward Churchill and Jim Vander Wall. Boston. 1990. South End Press. 0896082938. 508 pages. paperback. Cover by Todd Jailer and Cynthia Peters. 

DESCRIPTION - From the Red Scare of 1919-1920 to the McCarthy period of the 1950s to the COINTELPRO (Counterintelligence Program) era of the 1960s, the Federal Bureau of Investigation has operated primarily as America’s political police. Set against this sordid background. the complex of FBI operations conducted against the Black Panther Party and the American Indian Movement, including murder, kidnapping, and a range of other illegal activities, provides a shocking indictment of the lawlessness of the ‘law enforcers.’ Contrary to official announcements that COINTELPRO-type activities ended in 1971, Churchill and Vander Wall demonstrate that the FBI not only continued them, but in some cases actually increased their levels of intensity and violence. Agents of Repression concludes with consideration of recent FBI attempts to disrupt or destroy the Puerto Rican Independence movement and the Central America sanctuary and solidarity movements. Profusely illustrated and indexed, Agents of Repression will undoubtedly serve as the benchmark text for those concerned with under- standing not only what happened to the Black Panthers and the American Indian Movement, but the functional reality of America’s political police. ‘This study gives a chilling account of the government attack against the American Indian Movement and the Black Panther Party, placed in the context of the traditional use of the FBI for domestic political repression. It is a powerful indictment, with far-reaching implications concerning the treatment of political activists, especially those that are black or native American, and the functioning of our political institutions generally.’ - Noam Chomsky.

Ward Churchill is a member of the Governing Council of the Colorado chapter of the American Indian Movement, Coordinator of American Indian Studies for the University of Colorado/Boulder, and author of From a Native Son. Jim Vander Wall is an active supporter of the struggles of Native People for sovereignty and has written several articles on FBI. He is co-author, with Ward Churchill, of Agents of Repression: The FBI's Secret Wars on the Black Panther Party and the American Indian Movement (1988) and an editor of New Studies on the Left.

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Two Cheers for Anarchism by James C. Scott. Princeton. 2012. Princeton University Press. 9780691155296. 10 halftones. 5 1/2 x 8 1/2. 208 pages. hardcover.  

DESCRIPTION - James Scott taught us what's wrong with seeing like a state. Now, in his most accessible and personal book to date, the acclaimed social scientist makes the case for seeing like an anarchist. Inspired by the core anarchist faith in the possibilities of voluntary cooperation without hierarchy, Two Cheers for Anarchism is an engaging, high-spirited, and often very funny defense of an anarchist way of seeing - one that provides a unique and powerful perspective on everything from everyday social and political interactions to mass protests and revolutions. Through a wide-ranging series of memorable anecdotes and examples, the book describes an anarchist sensibility that celebrates the local knowledge, common sense, and creativity of ordinary people. The result is a kind of handbook on constructive anarchism that challenges us to radically reconsider the value of hierarchy in public and private life, from schools and workplaces to retirement homes and government itself. Beginning with what Scott calls the law of anarchist calisthenics, an argument for law-breaking inspired by an East German pedestrian crossing, each chapter opens with a story that captures an essential anarchist truth. In the course of telling these stories, Scott touches on a wide variety of subjects: public disorder and riots, desertion, poaching, vernacular knowledge, assembly-line production, globalization, the petty bourgeoisie, school testing, playgrounds, and the practice of historical explanation. Far from a dogmatic manifesto, Two Cheers for Anarchism celebrates the anarchist confidence in the inventiveness and judgment of people who are free to exercise their creative and moral capacities.

AUTHOR BIOGRAPHY - James Campbell Scott (December 2, 1936 – July 19, 2024) was an American political scientist and anthropologist specializing in comparative politics. He was a comparative scholar of agrarian and non-state societies. Trained as a political scientist, Scott's scholarship discussed peasant societies, state power, and political resistance. From 1968 to 1985, Scott wrote influentially on agrarian politics in peninsular Malaysia. While he retained a lifelong interest in Southeast Asia and peasantries, his later works ranged across many topics: quiet forms of political resistance, the failures of state-led social transformation, techniques used by non-state societies to avoid state control, commonplace uses of anarchist principles, and the rise of early agricultural states. His posthumous book, In Praise of Floods, is expected to be published in February 2025. The New York Times described his research as "highly influential and idiosyncratic". Scott received his bachelor's degree from Williams College and his MA and PhD in political science from Yale. He taught at the University of Wisconsin–Madison until 1976 and then at Yale, where he was Sterling Professor of Political Science. In 1991, he became director of Yale's Program in Agrarian Studies. At the time of his death, The New York Times described Scott as among the most widely read social scientists.

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Counter-Clock World by Philip K. Dick. New York. 1967. Berkley Books. 160 pages. paperback. X1372.

DESCRIPTION - THE DEAD GROW YOUNG. Now that the Hobart Phase was in effect, Officer Joseph Tinbane wasn't surprised when he would hear a voice speaking to him from beneath the ground. It wasn't that he was going out of his mind. Not at all. It was just one of the "old-born," giving notification that it was ready to be dug up. You see, the year is 1998 and things have changed quite a bit. Time has reversed its flow: the dead come back to life, and people grow younger instead of older. It sounds a little strange - and why it's called the COUNTER-CLOCK WORLD.

Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American novelist, short story writer and essayist whose published work is almost entirely in the science fiction genre. Dick explored sociological, political and metaphysical themes in novels dominated by monopolistic corporations, authoritarian governments, and altered states. In his later works Dick's thematic focus strongly reflected his personal interest in metaphysics and theology. He often drew upon his own life experiences in addressing the nature of drug abuse, paranoia, schizophrenia, and transcendental experiences in novels such as A Scanner Darkly and VALIS. The novel The Man in the High Castle bridged the genres of alternate history and science fiction, earning Dick a Hugo Award for Best Novel in 1963. Flow My Tears, the Policeman Said, a novel about a celebrity who awakens in a parallel universe where he is unknown, won the John W. Campbell Memorial Award for best novel in 1975. ‘I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards,’ Dick wrote of these stories. ‘In my writing I even question the universe; I wonder out loud if it is real, and I wonder out loud if all of us are real.’ In addition to 44 published novels, Dick wrote approximately 121 short stories, most of which appeared in science fiction magazines during his lifetime. Although Dick spent most of his career as a writer in near-poverty, ten popular films based on his works have been produced, including Blade Runner, Total Recall, A Scanner Darkly, Minority Report, Paycheck, Next, Screamers, and The Adjustment Bureau. In 2005, Time magazine named Ubik one of the one hundred greatest English-language novels published since 1923. In 2007, Dick became the first science fiction writer to be included in The Library of America series.

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Poetry Come Out of My Mouth: Selected Poems of Mario Papasquiaro Santiago by Mario Papasquiaro Santiago. New Orleans. 2018. Dialogos Books. 9781944884406. Translated from the Spanish by Arturo Mantecon. Artwork by Maceo Montoya. Introduction by Ilan Stavans. 231 pages. paperback. Cover art by Maceo Montoya.

DESCRIPTION - This first major selection in English of the poems of the great infrarealist poet Mario Santiago Papasquiaro collects work from Aullido de cisne (1996), Jeta de santo (2008) and Arte & basura (2012). Masterfully translated by Arturo Mantecón, with original artwork by Maceo Montoya, hopefully Poetry Comes out of My Mouth will bring recognition to one of the most important Mexican poets of the twentieth century. The poetry of legendary Mexican poet Mario Santiago Papasquiaro is little known in the USA. Closest friend of Roberto Bolaño (he is Ulises Lima in his Los Detectives Salvajes), Mario Santiago’s poetry flies in the most hallucinatory manner out of the tangled mass of Mexico’s heritage. Fusing the supernal and infernal energies of César Vallejo and Allen Ginsberg, this non-stop automatic-rifle poetry has few peers in contemporary poetry anywhere, and the meticulous translations of Arturo Mantecón superbly render this often difficult stylist into an English equally explosive and eloquent. With this potpourri of past and present, imagined and unimaginable visions, Santiago puts himself over the edge, racing as it were to his own destruction.—Ivan Argüelles, author of The Invention of Spain and Madonna Septet. Mario Santiago writes not only with brilliance, but pays homage to his many influences—from the Beat poets to Artaud—whom he turns into his family in a theater of cultural references and, as a communist, makes them all part of his fundamental, historical rage for justice, love and transformation in an epoch steeped in drugs, lunacy and spontaneous righteousness. Arturo Mantecón’s majestic translations reveal Santiago’s mastery of lyricism and poetic drama. If you find yourself reading yourself when you read this book, don’t say I didn’t tell you so—that’s how great Santiago is.—Jack Hirschmanm, author of All That’s Left and Front Lines. Every line of these poems pack little explosions of beauty, thought, rage, joy, that coalesce into a radiant blaze. I found myself bouncing in my chair as I read, carried by the language’s irresistible exuberance, and Arturo Mantecón’s on-fire translations. These poems make fresh a youthful spirit and language from a lost time. Mario Santiago still drives solemn pompous Mexican critics crazy; some are deeply annoyed that his friend and champion Roberto Bolaño’s fame have brought these poems new attention. I love the poems that take on some of Mexico’s sacred foundational myths, and far from merely subverting them, unexpectedly humanize these majestic figures and bring them so close, in poems that drum their honest, brilliantly jiving yet humble beat inside of you: “the children of my children will transmit my vision in their own way.”—Francisco Goldman, author of Say Her Name and The Art of Political Murder.

AUTHOR BIOGRAPHY - Mario Santiago Papasquiaro is the pen name of José Alfredo Zendejas Pineda (Mexico City, December 25, 1953–1998), Mexican poet and co-founder of the infrarrealista poetry movement. Papasquiaro was born in 1953 in Mexico City. Papasquiaro's first reading was at the Museo Nacional de San Carlos in 1973. In 1976, he founded the Infrarrealismo (Infrarealism) movement along with Roberto Bolaño, Cuauhtémoc Méndez Estrada, Ramón Méndez Estrada, Bruno Montané, Rubén Medina, Juan Esteban Harrington, Óscar Altamirano, José Peguero, Guadalupe Ochoa, José Vicente Anaya, Pedro Damián Bautista, and Mara Larrosa. Santiago inspired the character of Ulises Lima in fellow infrarealist Roberto Bolaño's novel The Savage Detectives. Like Santiago, the Lima character is an eccentric adventurer, and an opponent of the traditional forms of writers who sold out for state scholarships. Santiago frequently made enemies due to his sincerity and open criticism of what he deemed inferior forms of poetry, the literary elite, and poets themselves. He has gained slight recognition, though he is recognized and lauded by the recorded oral testimonies of his "comrades-in-arms". He died after being hit by a motorist on January 10, 1998, in Mexico City. His poems were collected in Aullido de cisne, published in 1996. The last poem he wrote was EME ESE PE, published in La Jornada newspaper days before his death. Santiago is considered by many to be the principal exponent and purest stylistic representative of the infrarealism movement, a vanguard literary movement representing a rupture with the Mexican literary establishment. His poems are complex, erudite, and highly metaphorical. Santiago sought an aesthetic of signs, much like the calligrams of Guillaume Apollinaire. The majority of his work is still unpublished.

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Sangrando por los 5 sentidos / Bleeding From All 5 Senses by Mario Papasquiaro Santiago. Buffalo. 2019. White Pine Press. 9781945680311. Translated from the Spanish by Cole Heinowitz. Winner of the Cliff Becker Book Prize in Translation. 166 pages. paperback.

DESCRIPTION - Most readers have never heard of José Alfredo Zendejas Pineda (1953-1998). A few might know him by his pseudonym, Mario Santiago Papasquiaro. But many readers know (and even love) the quasi-mythical character he inspired, Ulises Lima, from Roberto Bolaño’s The Savage Detectives: “a ticking time bomb” who wrote incessantly “in the margins of books that he stole and on pieces of scrap paper that he was always losing,” but who “never wrote poems.” The real Santiago did, in fact, fill every page he could find with his words. And he may indeed have been “a ticking time bomb.” But―for the record―he did write poems. “The raucous energy and desperate inventiveness of Bleeding From All 5 Senses takes on a second life in Heinowitz’s sinuous translations of Papasquiaro. Melding persistent social and emotional urgency, Bleeding from All 5 Senses affectively embodies something vital of our tumultuous world. In a compendium of tones ranging from the slyly humorous to the jarringly serious, Heinowitz renders Papasquiaro’s poems with meticulous care and creativity. Heinowitz conveys the intensity and music of Papasquiaro’s voice in English in such a way that the poet’s language takes on new valences of meaning in both United States and international anglophone contexts. Heinowitz’s translation of Papasquiaro’s roving tonal shifts, idiosyncratic syntax, and mosaic of sociocultural concerns makes a new and useful contribution to contemporary anglophone poetry.” ― Cliff Becker Prize Judges Daniel Borzutzky, Aaron Coleman, and Mani Rao. “Mario Santiago Papasquiaro ignited a blaze that continues to burn. In his manuscripts, asterisks fall like sparks announcing flames. Each of his texts is the scene of intense daring: the poet enters the ring to deal his own shadow a knockout blow. Rarely has literature been put to the test with such courage. Mario despises feints; he does not try to bedazzle but he does play with fire. Convinced that true victory is in the flesh, he shows us the scars with which he writes the body.”―Juan Villoro. "I think the illuminating side of his work as a poet is still revealing itself. One merit of his poetry (and one that people may not be aware of) was that which distinguished him from the writers he admired―for example, his ability to portray a particular dimension of the coarseness of urban life (more prominent now than ever) that still hadn’t been expressed in Mexican poetry, despite the achievements of Efraín Huerta, the innovations of Salvador Novo and Renato Leduc, and the creative maneuverings of the Stridentists. Mario Santiago took his role as Mexico City’s flâneur very seriously, and a significant portion of his poetic visions are derived from real experiences. He managed to validate his own field of vision and to offer forth, from that vantage point, the sum of his impressions."―Claudia Kerik.

AUTHOR BIOGRAPHY - Mario Santiago Papasquiaro is the pen name of José Alfredo Zendejas Pineda (Mexico City, December 25, 1953–1998), Mexican poet and co-founder of the infrarrealista poetry movement. Papasquiaro was born in 1953 in Mexico City. Papasquiaro's first reading was at the Museo Nacional de San Carlos in 1973. In 1976, he founded the Infrarrealismo (Infrarealism) movement along with Roberto Bolaño, Cuauhtémoc Méndez Estrada, Ramón Méndez Estrada, Bruno Montané, Rubén Medina, Juan Esteban Harrington, Óscar Altamirano, José Peguero, Guadalupe Ochoa, José Vicente Anaya, Pedro Damián Bautista, and Mara Larrosa. Santiago inspired the character of Ulises Lima in fellow infrarealist Roberto Bolaño's novel The Savage Detectives. Like Santiago, the Lima character is an eccentric adventurer, and an opponent of the traditional forms of writers who sold out for state scholarships. Santiago frequently made enemies due to his sincerity and open criticism of what he deemed inferior forms of poetry, the literary elite, and poets themselves. He has gained slight recognition, though he is recognized and lauded by the recorded oral testimonies of his "comrades-in-arms". He died after being hit by a motorist on January 10, 1998, in Mexico City. His poems were collected in Aullido de cisne, published in 1996. The last poem he wrote was EME ESE PE, published in La Jornada newspaper days before his death. Santiago is considered by many to be the principal exponent and purest stylistic representative of the infrarealism movement, a vanguard literary movement representing a rupture with the Mexican literary establishment. His poems are complex, erudite, and highly metaphorical. Santiago sought an aesthetic of signs, much like the calligrams of Guillaume Apollinaire. The majority of his work is still unpublished.

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Map Drawn by a Spy by Guillermo Cabrera Infante. Brooklyn. 2017. Archipelago Books. 9780914671787. Translated by Mark Fried. 240 pages. paperback. Translation of Mapa dibujado por un espía. 

DESCRIPTION - Found in an envelope in Guillermo Cabrera Infante's house after his death in 2005, Map Drawn by a Spy is the world-renowned writer's autobiographical account of the last four months he spent in his country. In 1965, following his mother's death, Infante returns to Cuba from Brussels, where he is employed as a cultural attache at the Cuban embassy. When a few days later his permission to return to Europe is revoked, Infante begins a period of suspicion, uncertainty, and disillusion. Unable to leave the country, denied access to party officials, yet still receiving checks for his work in Belgium, Infante discovers the reality of Cuba under Fidel Castro: imprisonment of homosexuals, silencing of writers, the closing of libraries and newspapers, and the consolidation of power. Both lucid and sincere, Map Drawn by a Spy is a moving portrayal of a fractured society and a writer's struggles to come to terms with his national identity."

AUTHOR BIOGRAPHY - Guillermo Cabrera Infante (April 22, 1929 - February 21, 2005) was a Cuban novelist, essayist, translator, and critic; in the 1950s he used the pseudonym G. Caín. A one-time supporter of the Castro regime, Cabrera Infante went into exile to London in 1965. He is best known for the novel Tres Tristes Tigres (literally ‘three sad tigers', but published in English as Three Trapped Tigers), which has been compared favorably to James Joyce's Ulysses. Born in Gibara in Cuba's former Oriente Province (now part of Holguín Province), in 1941 he moved with his parents, to Havana, which would be the setting of nearly all of his writings other than his critical works. His parents were founding members of the Cuban Communist Party. Originally he intended to become a physician, but abandoned that in favor of writing and his passion for the cinema. Starting in 1950, he studied journalism at the University of Havana. In 1951 he founded the Cinemateca de Cuba, the Cuban Film Library, of which he remained director until its closure was ordered by Fulgencio Batista in 1956. Under the Batista regime he was arrested and fined in 1952 for publishing a short story which included several English-language profanities. His opposition to Batista later cost him a short jail term. He married for the first time in 1953. From 1954 to 1960 he wrote film reviews for the magazine Carteles, using the pseudonym G. Caín; he became its editor in chief, still pseudonymously, in 1957. With the triumph of the Cuban Revolution in 1959 he was named director of the Instituto del Cine. He was also head of the literary magazine Lunes de Revolucion, a supplement to the Communist newspaper Revolucion; however, this supplement was prohibited in 1961 by Fidel Castro. He divorced and remarried in 1961 to his second wife, Miriam, an actress. Having fallen somewhat out of favor with the Castro regime (the government's ban on a documentary on Havana nightlife made by his brother led to him being forbidden to publish in Cuba), he served from 1962 to 1965 in Brussels, Belgium as a cultural attache. During this time, his sentiments turned against the Castro regime; after returning to Cuba for his mother's funeral in 1965, he went into exile, first to Madrid and then to London. In 1966 he published Tres Tristes Tigres, a highly experimental, Joycean novel, playful and rich in literary allusions, which also intended to do for Cuban Spanish what Mark Twain had done for American English, recording the great variety of its colloquial variations. It is little known that he was the Guillermo Caín who co-wrote the script for the 1971 cult film Vanishing Point. Although he is considered a part of the famed Latin American ‘Boom' generation of writers that includes his contemporary Gabriel García Márquez, he disdained the label. Always the iconoclast, he even rejected the label ‘novel' for his masterpieces, such as Tres Tristes Tigres and La Habana para un infante difunto. In 1997 he received the Premio Cervantes, presented to him by Spain's King Juan Carlos. He died February 21, 2005 in London, of septicemia. He had two daughters by his first marriage.

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Vulcan's Hammer by Philip K. Dick. New York. 1960. Ace Books. Paperback Original. Part Of An Ace Double With THE SKYNAPPERS by John Brunner. 117 pages. paperback. D-457. 

DESCRIPTION - Vulcan's Hammer is a 1960 science fiction novel by American writer Philip K. Dick. It was released originally as an Ace Double. This has been considered to be the final outing of Dick's 1950s style pulp science-fiction writing, before his better-received work such as the Hugo Award-winning Man in the High Castle, published a year later. In 2029 CE, the Earth is run by the Unity organization after a devastating world war. Unity runs the planet, controlling humans from childhood education onwards through the Vulcan series of artificial intelligences, but is fought by the Healer movement. Unity Director William Barris discovers that the Vulcan 3 computer has become sentient and is considering drastic action to combat what it sees as a threat to itself. Vulcan 3 has been kept ignorant about information related to the Healer revolutionary movement by Managing Director Jason Dills, who is still loyal to its (also sentient) predecessor, Vulcan 2. Vulcan 2 fears that it will soon be superseded by Vulcan 3, and previously established the Healers as a movement to overthrow its successor.

Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American novelist, short story writer and essayist whose published work is almost entirely in the science fiction genre. Dick explored sociological, political and metaphysical themes in novels dominated by monopolistic corporations, authoritarian governments, and altered states. In his later works Dick's thematic focus strongly reflected his personal interest in metaphysics and theology. He often drew upon his own life experiences in addressing the nature of drug abuse, paranoia, schizophrenia, and transcendental experiences in novels such as A Scanner Darkly and VALIS. The novel The Man in the High Castle bridged the genres of alternate history and science fiction, earning Dick a Hugo Award for Best Novel in 1963. Flow My Tears, the Policeman Said, a novel about a celebrity who awakens in a parallel universe where he is unknown, won the John W. Campbell Memorial Award for best novel in 1975. ‘I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards,’ Dick wrote of these stories. ‘In my writing I even question the universe; I wonder out loud if it is real, and I wonder out loud if all of us are real.’ In addition to 44 published novels, Dick wrote approximately 121 short stories, most of which appeared in science fiction magazines during his lifetime. Although Dick spent most of his career as a writer in near-poverty, ten popular films based on his works have been produced, including Blade Runner, Total Recall, A Scanner Darkly, Minority Report, Paycheck, Next, Screamers, and The Adjustment Bureau. In 2005, Time magazine named Ubik one of the one hundred greatest English-language novels published since 1923. In 2007, Dick became the first science fiction writer to be included in The Library of America series.

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Dr. Bloodmoney or How We Got Along After the Bomb by Philip K. Dick. New York. 1965. Ace Books. Paperback Original. 222 pages. paperback. F-337.  

DESCRIPTION - What happens after the world comes to an end? What happens when the Bomb - the one everyone has been talking about since 1945 - finally gets dropped? What happens then? In 1981, they were to learn the answers. Dr. Bloodmoney, whose space experiment had turned out wrong, was going to lead them to find out. There were the symptoms - the offspring of scientific mishaps, the couple heading for Mars, the rising tide of human misery.

Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American novelist, short story writer and essayist whose published work is almost entirely in the science fiction genre. Dick explored sociological, political and metaphysical themes in novels dominated by monopolistic corporations, authoritarian governments, and altered states. In his later works Dick's thematic focus strongly reflected his personal interest in metaphysics and theology. He often drew upon his own life experiences in addressing the nature of drug abuse, paranoia, schizophrenia, and transcendental experiences in novels such as A Scanner Darkly and VALIS. The novel The Man in the High Castle bridged the genres of alternate history and science fiction, earning Dick a Hugo Award for Best Novel in 1963. Flow My Tears, the Policeman Said, a novel about a celebrity who awakens in a parallel universe where he is unknown, won the John W. Campbell Memorial Award for best novel in 1975. ‘I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards,’ Dick wrote of these stories. ‘In my writing I even question the universe; I wonder out loud if it is real, and I wonder out loud if all of us are real.’ In addition to 44 published novels, Dick wrote approximately 121 short stories, most of which appeared in science fiction magazines during his lifetime. Although Dick spent most of his career as a writer in near-poverty, ten popular films based on his works have been produced, including Blade Runner, Total Recall, A Scanner Darkly, Minority Report, Paycheck, Next, Screamers, and The Adjustment Bureau. In 2005, Time magazine named Ubik one of the one hundred greatest English-language novels published since 1923. In 2007, Dick became the first science fiction writer to be included in The Library of America series.

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Heavens on Earth by Carmen Boullosa. Dallas. 2017. Deep Vellum. 9781941920442. Translated from the Spanish by Shelby Vincent. 397 pages. paperback. Jacket design by annazylicz.com.  

DESCRIPTION - From Carmen Boullosa, winner of Mexico's prestigious Xavier Villaurrutia Award, comes Heavens on Earth, a testament to the power of the written word in transcending political, racial, and cultural barriers to create and preserve history. Lear, officially known as 24, lives in L'Atlntide, a utopian post-apocalyptic society placing increasing limits on the use of language. Steadfast in her resistance to new regulations and pressure to conform, Lear continues to transcribe the writings of Don Hernando, a 16th century Indian priest, and of Estela in the 20th century, an early translator of Don Hernando's work. Though separated by time and space, Lear and Estela find strength in Hernando's words, ultimately rebelling against their respective societies in a struggle for remembrance. Cloud Atlas meets Savage Detectives in Carmen Boullosa's Heavens on Earth as three narratives thread together in a captivating exploration of memory, language, and humanity. Three narrators from different historical eras engage in preserving history in "Heavens on Earth." As her narrators sense each other and interact through time and space, Boullosa challenges the primacy of recorded history and asserts literature and language's power to transcend the barriers of time and space in vivid, urgent prose. 

AUTHOR BIOGRAPHY - Carmen Boullosa (born September 4, 1954 in Mexico City, Mexico) is a leading Mexican poet, novelist and playwright. Her work is eclectic and difficult to categorize, but it generally focuses on the issues of feminism and gender roles within a Latin American context. Her work has been praised by a number of prominent writers, including Carlos Fuentes, Alma Guillermoprieto and Elena Poniatowska, as well as publications such as Publishers Weekly. She has won a number of awards for her works, and has taught at universities such as Georgetown University, Columbia University and New York University (NYU), as well as at universities in nearly a dozen other countries. She is currently Distinguished Lecturer at the City College of New York. She has two children -- Maria Aura and Juan Aura -- with her former partner, Alejandro Aura --and is now married to Mike Wallace, the Pulitzer-prize winning co-author of Gotham: A History of New York City to 1898. Boullosa has written over a dozen novels, and some of these works have been translated into five different languages. Her bestselling novel, Son vacas, somos puercos (1991) was translated into English in 1997 as They're Cows, We're Pigs. The story is narrated in the first person by an old man looking back on his life. He was kidnapped and sent from his native France on a slave ship to the West Indies at the age of thirteen. To gain his freedom, he joins a group of pirates (or ‘pigs'), allowing Boullosa to compare two very different societal and political systems - traditional Europe and carefree pirates. In La milagrosa, a novel written in 1993, the protagonist is a girl who has the power to heal the sick and perform other miracles while she sleeps. She falls in love with Aurelio Jimenez, a detective sent to discredit her, even though she fears that her powers will disappear if she spends time with people. It ends ambiguously, leaving an unsolved murder without closure. Duerme, another popular work published in 1995, tells the story of Claire, a French woman whose mother was a prostitute. Attempting to escape the same profession, she arrives in Spain dressed as a man. To save a subject of the Spanish king, she reveals herself as a female and prepares to take his punishment of death by hanging. Beforehand, however, she is wounded in the left breast and her blood is replaced by water from the lakes of Mexico City. The water's magical powers make it possible for her to survive the punishment. She is also famous for her Teatro herEtico (1987), a compilation of three parodies in play format - Aura y las once mil vírgenes, Cocinar hombres, and Propusieron a María. The first tells the story of a man called by God to ‘deflower' eleven thousand virgins in his life, so that heaven's overpopulation problem might be addressed, since the women will have to wait in purgatory for a time. The man then uses his sexual encounters as material for his television commercials and becomes a successful advertising agent. Cocinar hombres tells the story of two girls who find themselves to have become young adult witches overnight, so as to fly over the earth tempting but not satisfying men. Finally, the third play satirically recounts the conversation between Joseph and Mary before Mary gives birth to Jesus and ascends to heaven.

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Rigadoon by Louis-Ferdinand Celine. New York. 1974. Delacorte Press. 0440073642. Translated from the French by Ralph Manheim. 273 pages. hardcover.  

DESCRIPTION - Completed the day before his death in 1961, Rigadoon, the most compassionate of Celine's novels, explores the ravages of war and its aftermath. Often comic and always angry, the first-person autobiographical narrator, with his wife and their cat in tow, takes the reader with him on his flight from Paris to Denmark after finding himself on the losing side of World War II. The train rides that encompass the novel are filled with madness and mercy, as Celine, a physician, aids refugees while ignoring his own medical needs.

AUTHOR BIOGRAPHY - Louis Ferdinand Auguste Destouches (27 May 1894 – 1 July 1961), better known by the pen name Louis-Ferdinand Céline was a French novelist, polemicist, and physician. His first novel Journey to the End of the Night (1932) won the Prix Renaudot but divided critics due to the author's pessimistic depiction of the human condition and his writing style based on working-class speech. In subsequent novels such as Death on the Installment Plan (1936), Guignol's Band (1944) and Castle to Castle (1957), Céline further developed an innovative and distinctive literary style. Maurice Nadeau wrote: "What Joyce did for the English language...what the surrealists attempted to do for the French language, Céline achieved effortlessly and on a vast scale." From 1937 Céline wrote a series of antisemitic polemical works in which he advocated a military alliance with Nazi Germany. He continued to publicly espouse antisemitic views during the German occupation of France, and after the Allied landing in Normandy in 1944, he fled to Germany and then Denmark where he lived in exile. He was convicted of collaboration by a French court in 1951 but was pardoned by a military tribunal soon after. He returned to France where he resumed his careers as a doctor and author.Louis Ferdinand Auguste Destouches (27 May 1894 – 1 July 1961), better known by the pen name Louis-Ferdinand Céline was a French novelist, polemicist, and physician. His first novel Journey to the End of the Night (1932) won the Prix Renaudot but divided critics due to the author's pessimistic depiction of the human condition and his writing style based on working-class speech. In subsequent novels such as Death on the Installment Plan (1936), Guignol's Band (1944) and Castle to Castle (1957), Céline further developed an innovative and distinctive literary style. Maurice Nadeau wrote: "What Joyce did for the English language...what the surrealists attempted to do for the French language, Céline achieved effortlessly and on a vast scale." From 1937 Céline wrote a series of antisemitic polemical works in which he advocated a military alliance with Nazi Germany. He continued to publicly espouse antisemitic views during the German occupation of France, and after the Allied landing in Normandy in 1944, he fled to Germany and then Denmark where he lived in exile. He was convicted of collaboration by a French court in 1951 but was pardoned by a military tribunal soon after. He returned to France where he resumed his careers as a doctor and author.Céline is widely considered to be one of the greatest French novelists of the 20th century, and his novels have had an enduring influence on later authors. However, he remains a controversial figure in France due to his antisemitism and activities during the Second World War.

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