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  • January 10th

    January 10th Americo De Almeida, Jose (Born  January 10, 1887)    JOSE AMERICO DE ALMEIDA was born in 1887 and lived in retirement in Joao Pessoa. His long life was devoted almost entirely to public service and literature. His first novel A Bagacei’ra (Trash, 1928) enjoyed enormous success. The first translation of the book to appear in any language was that of R. L. Scott-Buccleuch into English in 1978 and...

  • January 9th

    January 9th   Karel Capek (Born  January 9, 1890)    Karel Capek (January 9, 1890 - December 25, 1938) was one of the most influential Czech writers of the 20th century. Capek was born in Malé Svatonovice, Bohemia, Austria-Hungary (now Czech Republic). He wrote with intelligence and humour on a wide variety of subjects. His works are known for their interesting and precise descriptions of reality, and...

  • January 8th

    January 8th     Leonardo Sciascia (Born  January 8, 1921)    Leonardo Sciascia (January 8, 1921 – November 20, 1989) was an Italian writer, novelist, essayist, playwright and politician. Some of his works have been made into films, including Open Doors (1990) and Il giorno della civetta (1968). Sciascia was born in Racalmuto, Sicily. In 1935 his family moved to Caltanissetta; here Sciascia studied under...

Neglectedbooks.com

The Neglected Books Page

www.NeglectedBooks.com: Where forgotten books are remembered
  • Hide and Seek: A Continuing Journey, by Jessamyn West (1973)
    The next two books I’m featuring here — Jessamyn West’s Hide and Seek and Alice Koller’s An Unknown Woman: A Journey to Self-Discovery — are set a continent apart but share a strong common bond with that American classic, Thoreau’s Walden. In all three, the writer sets aside time and chooses a location with the […]
  • The Starched Blue Sky of Spain and Other Memoirs, by Josephine Herbst (1991)
    Though one of the most acclaimed of contemporary American novelists when she was writing in the 1930s, Josephine Herbst published just two books after 1941, and her last book, New Green World, a biography of early American naturalist John Bartram, in 1954, fifteen years before she died at the age of 76. By the time […]
  • A Sleepless Summer Night in Bordeaux, from The Journal of Mary Hervey Russell, by Storm Jameson (1945)
    Later, from the window of my bedroom on a corner of the Place des Quinconces, I watched the lights blazing outside the theatre — they should be gas-lamps — and along the quays, those on the farther side of the Garonne reflected in the past, in her present. A dialogue between a piano and a […]
  • Around the Campfire, from The Starched Blue Sky of Spain, by Josephine Herbst (1991)
    Editor’s note: In 1898, Josephine Herbst journeyed from Sioux City, Iowa with her mother and three sisters to visit an uncle in Oregon. Together, the two families traveled by wagon to the coast, where they spent a few weeks camping in the woods alongside a beach, playing, swimming, fishing, and talking at night around the […]
  • The Journal of Mary Hervey Russell, by Storm Jameson (1945)
    I found this intriguing book on the Internet Archive (link), started reading it, and kept on and on, wondering where its meandering and, at times, mirage-like thread would lead. By the time I realized that it didn’t fully qualify as neglected (it’s been reissued, along with over a dozen other titles by Storm Jameson, as […]
  • Contemplating Heaven and Hell, from Adventures of an Ordinary Mind, by Lesley Conger (1963)
    I am sitting here and contemplating Heaven and Hell. Of course at the outset it has to be understood that I don’t believe in either of them. Still, as concepts they are interesting, and what is particularly interesting is that all the minds that have been bent to the task over the centuries have made […]
  • Adventures of an Ordinary Mind, by Lesley Conger (1963)
    Sitting in her kitchen nook, sipping her mid-morning cup of coffee–“the best part of being a housewife” — Lesley Conger decided one day in October 1961 that, “The shape my ambition has taken this year is this: I shall begin to read all the books I should have read by now….” Adventures of an Ordinary […]
  • Nancy Shippen: Her Journal Book, edited by Ethel Armes (1935) – reviewed by Agnes Repplier
    [Editor’s note: Nancy Shippen: Her Journal Book, subtitled, “The International Romance of a Young Lady of Fashion of Colonial Philadelphia with Letters to Her and About Her,” compiled and edited by Ethel Armes, was published in 1935 and is available free on the Internet Archive: Link. The following review, written by the remarkable Philadelphia essayist, […]
  • The names of the cars had thrilled him, from Cousin to Human, by Jane Mayhall
    The names of the cars had thrilled him. Hudson and Buick, Plymouth, Oldsmobile, Lincoln and Ford, Chevrolet, Studebaker, DeSoto and Dodge; their names stabbed in his heart like weapons of love. And that there should exist fifteen thousand automobiles in the city, and that one of these ready-made vehicles should not, at last, belong rightfully […]
  • An American Journey, by Ethel Mannin (1967)
    I’ll admit it: I bought this book because of its cover. That Day-glo orange and blue Manhattan skyline illustration is one of the most visually exciting dust jackets I’ve seen since Helen Ashton’s People in Cages. But there was more to it. I was vaguely aware of Ethel Mannin as “a popular British novelist,” as […]

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(04/14/2015) Chasing Lost Time: The Life of C. K. Scott Moncrieff - Soldier, Spy, and Translator by Jean Findlay. New York. 2015. Farrar Straus Giroux. Jacket design based on a 1940s edition of Remembrance of Things Past published by Chatto & Windus. 351 pages. hardcover. 9780374119270.

 

FROM THE PUBLISHER -

 

9780374119270   'And suddenly the memory returns. The taste was that of the little crumb of madeleine which on Sunday mornings at Combray (because on those mornings I did not go out before church-time), when I went to say good day to her in her bedroom, my aunt Léonie used to give me.' With these words, Marcel Proust’s narrator is plunged back into the past. Since 1922, English-language readers have been able to take this leap with him thanks to translator C. K. Scott Moncrieff, who wrestled with Proust’s seven-volume masterpiece - published as Remembrance of Things Past - until his death in 1930. While Scott Moncrieff’s work has shaped our understanding of one of the finest novels of the twentieth century, he has remained hidden behind the genius of the man whose reputation he helped build. Now, in this biography - the first ever of the celebrated translator - Scott Moncrieff’s great-great-niece, Jean Findlay, reveals a fascinating, tangled life. Catholic and homosexual; a partygoer who was lonely deep down; secretly a spy in Mussolini’s Italy and publicly a debonair man of letters; a war hero described as “offensively brave,” whose letters from the front are remarkably cheerful - Scott Moncrieff was a man of his moment, thriving on paradoxes and extremes. In Chasing Lost Time, Findlay gives us a vibrant, moving portrait of the brilliant Scott Moncrieff, and of the era - changing fast and forever - in which he shone.

 

 Jean Findlay was born in Edinburgh and studied Law and French at Edinburgh University, then theatre in Cracow with Tadeusz Kantor. She ran a theatre company, writing and producing plays in Berlin, Bonn, Dublin, Rotterdam, and the Pompidou Centre in Paris. She has written for the Scotsman, the Independent, Time Out and Performance magazine and lives in Edinburgh with her husband and three children. She is the great-great-niece of C K Scott Moncrieff.

 

 

 Check zenosbooks.com for either a used or a new copy of this book, or you can add it to your wishlist.

 

 

 

 

(04/13/2015) Finding Time Again: In Search of Lost Time by Marcel Proust. London. 2003. Penguin Books. Newly Translated from the French by Ian Patterson. 374 pages. paperback. 9780141180366.

 

FROM THE PUBLISHER -

 

   In Finding Time Again, Marcel discovers his world destroyed by war and those he knew transformed by the march of time. A superb picture of France in the throes of the First World War, and containing, in the Bal des tetes sequence, one of Proust’s most devastating set-pieces, Finding Time Again triumphantly describes the paradox of facing mortality yet overcoming it through the act of writing. As Marcel rediscovers his vocation, he realizes that he can live on by writing down the story of his own memories and of his search to recapture the past. ‘One of the cornerstones of the Western literary canon’ - The Times.

 

 MARCEL PROUST was born in Auteuil in 1871. In his twenties, following a year in the army, he became a conspicuous society figure, frequenting the most fashionable Paris salons of the day. After 1899, however, his chronic asthma, the death of his parents, and his growing disillusionment with humanity caused him to lead an increasingly retired life. From 1907 on, he rarely emerged from a cork-lined room in his apartment on boulevard Haussmann. There he insulated himself against the distractions of city life and the effects of trees and flowers-though he loved them, they brought on his attacks of asthma. He slept by day and worked by night, writing letters and devoting himself to the completion of In Search of Lost Time. He died in 1922.

 

 

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(04/12/2015) The Prisoner and The Fugitive: In Search of Lost Time by Marcel Proust. London. 2003. Penguin Books. Newly Translated from the French by Carol Calrk and Peter Collier. 693 pages. paperback. 9780141180359.

 

FROM THE PUBLISHER -

 

   The Prisoner and The Fugitive fulfill Swann’s much earlier warning to Marcel: ‘Though the subjection of the woman may briefly allay the jealousy of the man, it eventually makes it even more demanding’, as Marcel and Albertine are locked in a cycle of mistrust that threatens both their identities. But these are also novels of great lyrical excitement and beauty - in the Parisian street cries, the Vinteuil concert and Proust’s virtuoso description of Venice. Above all, these two works deal with the theme of the impact of memory that runs throughout In Search of Lost Time. ‘Proust redefined the terms of fiction. a profound and often very witty masterpiece’ – Guardian.

 

 MARCEL PROUST was born in Auteuil in 1871. In his twenties, following a year in the army, he became a conspicuous society figure, frequenting the most fashionable Paris salons of the day. After 1899, however, his chronic asthma, the death of his parents, and his growing disillusionment with humanity caused him to lead an increasingly retired life. From 1907 on, he rarely emerged from a cork-lined room in his apartment on boulevard Haussmann. There he insulated himself against the distractions of city life and the effects of trees and flowers-though he loved them, they brought on his attacks of asthma. He slept by day and worked by night, writing letters and devoting himself to the completion of In Search of Lost Time. He died in 1922.

 

 

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(04/11/2015) Sodom and Gomorrah by Marcel Proust. New York. 2004. Viking Press. Newly Translated from the French by John Sturrock. 557 pages. October 2004. hardcover. Jacket photograph by Ra;ph Gibson. 0670033480.

 

FROM THE PUBLISHER -

 

   Like its predecessors, this wonderful new translation is certain to be hailed as a literary event, bringing us a more rich, comic, and lucid Proust than American readers have previously been able to enjoy. In this fourth volume, Proust’s novel takes up for the first time the theme of homosexual love and examines how destructive sexual jealousy can be for those who suffer it. Sodom and Gomorrah is also an unforgiving analysis of both the decadent high society of Paris and the rise of a philistine bourgeoisie that will inevitably supplant it.

 

 MARCEL PROUST was born in Auteuil in 1871. In his twenties, following a year in the army, he became a conspicuous society figure, frequenting the most fashionable Paris salons of the day. After 1899, however, his chronic asthma, the death of his parents, and his growing disillusionment with humanity caused him to lead an increasingly retired life. From 1907 on, he rarely emerged from a cork-lined room in his apartment on boulevard Haussmann. There he insulated himself against the distractions of city life and the effects of trees and flowers-though he loved them, they brought on his attacks of asthma. He slept by day and worked by night, writing letters and devoting himself to the completion of In Search of Lost Time. He died in 1922.

 

 

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(04/10/2015) The Guermantes Way by Marcel Proust. New York. 2004. Viking Press. Newly Translated from the French by Mark Treharne. 619 pages. June 2004. hardcover. Jacket photograph by Ralph Gibson. 0670033170.

 

FROM THE PUBLISHER -

 

   Viking Press’s In Search of Lost Time is the first completely new translation of Proust’s masterwork since the 1920s. Under Christopher Prendergast’s general editorship, these superb editions bring us a more rich, comic, and lucid Proust than American readers have previously been able to enjoy. After the relative intimacy of the first two volumes of In Search of Lost Time, The Guermantes Way opens up a vast, dazzling landscape of fashionable Parisian life in the late nineteenth century as the narrator enters the brilliant, shallow world of the literary and aristocratic salons. Both a salute to and a devastating satire of a time, place, and culture, The Guermantes Way defines the great tradition of novels that follow the initiation of a young man into the ways of the world.

 

 MARCEL PROUST was born in Auteuil in 1871. In his twenties, following a year in the army, he became a conspicuous society figure, frequenting the most fashionable Paris salons of the day. After 1899, however, his chronic asthma, the death of his parents, and his growing disillusionment with humanity caused him to lead an increasingly retired life. From 1907 on, he rarely emerged from a cork-lined room in his apartment on boulevard Haussmann. There he insulated himself against the distractions of city life and the effects of trees and flowers-though he loved them, they brought on his attacks of asthma. He slept by day and worked by night, writing letters and devoting himself to the completion of In Search of Lost Time. He died in 1922.

 

 

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(04/09/2015) In The Shadow Of Young Girls In Flower by Marcel Proust. New York. 2004. Viking Press. Newly Translated from the French by James Grieve. 558 pages. February 2004. hardcover. Jacket design by Mark Melnick. Originally published in French as A l'ombre des jeunes filles en fleurs. 0670032778.

 

FROM THE PUBLISHER -

 

   Readers and reviewers in the United Kingdom have hailed the new translations of Proust as a major literary event. Soon to appear in the United States, Swann’s Way, along with the second volume of In Search of Lost Time, In the Shadow of Young Girls in Flower, will introduce a new century of American readers to the literary riches of Proust. These superb editions - the first completely new translation of Proust’s novel since the 1920s - bring us a more comic and lucid Proust than English readers have previously been able to enjoy. In the Shadow of Young Girls in Flower is a spectacular dissection of male and female adolescence, charged with the narrator’s memories of Paris and the Normandy seaside. In it, Proust introduces some of his greatest comic inventions. As a meditation on different forms of love, In the Shadow of Young Girls in Flower has no equal.

 

 MARCEL PROUST was born in Auteuil in 1871. In his twenties, following a year in the army, he became a conspicuous society figure, frequenting the most fashionable Paris salons of the day. After 1899, however, his chronic asthma, the death of his parents, and his growing disillusionment with humanity caused him to lead an increasingly retired life. From 1907 on, he rarely emerged from a cork-lined room in his apartment on boulevard Haussmann. There he insulated himself against the distractions of city life and the effects of trees and flowers-though he loved them, they brought on his attacks of asthma. He slept by day and worked by night, writing letters and devoting himself to the completion of In Search of Lost Time. He died in 1922.

 

 

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(04/08/2015) Swann's Way by Marcel Proust. New York. 2003. Viking Press. Newly Translated from the French by Lydia Davis. 468 pages. September 2003. hardcover. Jacket design by Mark Melnick.Jacket photograph by Ralph Gibson, of a piece from the collection of Charles Fermin-Didot, Paris. 067003245x.

 

FROM THE PUBLISHER -

 

   ‘MY GREATEST ADVENTURE WAS UNDOUBTEDLY PROUST. WHAT IS THERE LEFT TO WRITE AFTER THAT?’ - VIRGINIA WOOLF. Marcel Proust’s In Search of Lost Time is one of the most entertaining reading experiences in any language and arguably the finest novel of the twentieth century. But since its original prewar translation there has been no completely new version in English. Now, Viking Press brings Proust’s masterpiece to new audiences throughout the world, beginning with Lydia Davis’s internationally acclaimed translation of the first volume, SWANN’S WAY. SWANN’S WAY is one of the preeminent novels of childhood - a sensitive boy’s impressions of his family and neighbors, all brought dazzlingly back to life years later by the famous taste of a madeleine. It also enfolds the short novel ‘Swann in Love,’ an incomparable study of sexual jealousy that becomes a crucial part of the vast, unfolding structure of In Search of Lost Time. The first volume of the work that established Proust as one of the finest voices of the modern age - satirical, skeptical, confiding, and endlessly varied in his response to the human condition - SWANN’S WAY also stands on its own as a perfect rendering of a life in art, of the past recreated through memory.

 

  MARCEL PROUST was born in Auteuil in 1871. In his twenties, following a year in the army, he became a conspicuous society figure, frequenting the most fashionable Paris salons of the day. After 1899, however, his chronic asthma, the death of his parents, and his growing disillusionment with humanity caused him to lead an increasingly retired life. From 1907 on, he rarely emerged from a cork-lined room in his apartment on boulevard Haussmann. There he insulated himself against the distractions of city life and the effects of trees and flowers-though he loved them, they brought on his attacks of asthma. He slept by day and worked by night, writing letters and devoting himself to the completion of In Search of Lost Time. He died in 1922.

 

Davis Lydia  LYDIA DAVIS is the author of one novel and three volumes of short fiction, the latest of which is Samuel Johnson is Indignant. She is also the translator of numerous works from the French by, among others, Maurice Blanchot, Pierre Jean Jouve, and Michel Leiris, and was recently named a Chevalier of the Order of Arts and Letters by the French government.

 

 

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(04/07/2015) The Discreet Hero by Mario Vargas Llosa. New York. 2015. Farrar Straus Giroux. Translated from the Spanish by Edith Grossman. 326 pages. hardcover. Jacket design by Alex Merto. 9780374146740.

 

FROM THE PUBLISHER -

 

9780374146740   The latest masterpiece--perceptive, funny, insightful, affecting--from the Nobel Prize-winning author Nobel laureate Mario Vargas Llosa's newest novel, "The Discreet Hero," follows two fascinating characters whose lives are destined to intersect: neat, endearing Felicito Yanaque, a small businessman in Piura, Peru, who finds himself the victim of blackmail; and Ismael Carrera, a successful owner of an insurance company in Lima, who cooks up a plan to avenge himself against the two lazy sons who want him dead. Felicito and Ismael are, each in his own way, quiet, discreet rebels: honorable men trying to seize control of their destinies in a social and political climate where all can seem set in stone, predetermined. They are hardly vigilantes, but each is determined to live according to his own personal ideals and desires--which means forcibly rising above the pettiness of their surroundings. "The Discreet Hero" is also a chance to revisit some of our favorite players from previous Vargas Llosa novels: Sergeant Lituma, Don Rigoberto, Dona Lucrecia, and Fonchito are all here in a prosperous Peru. Vargas Llosa sketches Piura and Lima vividly--and the cities become not merely physical spaces but realms of the imagination populated by his vivid characters. A novel whose humor and pathos shine through in Edith Grossman's masterly translation, "The Discreet Hero" is another remarkable achievement from the finest Latin American novelist at work today."

 

  Mario Vargas Llosa was awarded the Nobel Prize in Literature in 2010. Peru's foremost writer, he has been awarded the Cervantes Prize, the Spanish-speaking world's most distinguished literary honor, and the Jerusalem Prize. His many works include THE FEAST OF THE GOAT, THE BAD GIRL, AUNT JULIA AND THE SCRIPTWRITER, THE WAR OF THE END OF THE WORLD, and THE STORYTELLER. He lives in London.

 

 

 

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(04/06/2015) You Disappear by Christian Jungersen. New York. 2014. Doubleday. Translated from the Dansih by Misha Hoekstra. 339 pages. hardcover. Jacket design by Michael J. Windsor. 9780385537254.

 

FROM THE PUBLISHER -

 

   A riveting psychological drama that challenges the way we understand others--and our own sense of self. Mia is a schoolteacher in Denmark. Her husband, Frederik, is the charismatic headmaster of a local private school. During a vacation on Majorca, they discover that a brain tumor has started to change Frederik's personality. As it becomes harder and harder for Mia to recognize him, she must protect herself and their teenage son from the strange, blunted being who now inhabits her husband's body--and with whom she must share her home, her son, and her bed. When millions of crowns go missing at the private school, Frederik is the obvious culprit, and Mia's private crisis quickly draws in the entire community. Frederick's new indifference and lack of inhibition rupture long-standing friendships, isolating Mia and making her question who Frederik really is. Was the tumor already affecting him during the years they had been so happy together? And does it excuse Frederik from fraud? Mia enlists the help of a lawyer named Bernhard, whom she meets in a support group for spouses of people with brain injuries. As they prepare Frederik's defense, the two of them wrestle with the latest brain research, the age-old question of free will--and their growing attraction to each other. Jungersen's lithe prose and unexpected plot twists will keep readers hooked until the very last page.

 

Jungersen Christian  Christian Jungersen (born 10 July 1962 in Copenhagen) is a Danish novelist whose works have been translated into 18 languages. He has published three novels in Danish – Krat (1999), Undtagelsen (2004, published as The Exception in 2006), and Du Forsvinder (2012, scheduled to be published as You Disappear in 2014). Jungersen earned a master’s in communication and social science from Roskilde University. Before publishing his first novel, he taught film at Folkeuniversitetet, an open university in Copenhagen. He also worked as an advertising copywriter, a manuscript consultant, and a TV screenwriter. Over the past decade he has divided his time among the US, Ireland, Denmark, and Malta. Krat (“Undergrowth”) depicts the intense relationship between two men over the course of nearly 70 years. While they begin as bosom buddies in an upper-class suburb of Copenhagen during the 1920s, they end as retirees who, despite not having spoken in decades, remain just as consumed with each other – but now as mortal enemies. Krat was on the Danish bestseller list for three months when it came out in 1999. It won Bogforum’s Debutant Prize and was nominated for Weekendavisen’s literary prize. When the Danish Arts Foundation awarded Jungersen a three-year fellowship in 2000, it was the first time in 20 years that the foundation had given the honor to a debut novelist. A psychological thriller, The Exception ("Undtagelsen") is told in turn by four women who work for the dysfunctional Danish Center for Genocide Information. When two of them receive death threats, it is unclear whether the threats have been sent by an exposed war criminal or a coworker. Drawing on recent work on the nature of evil, the book makes the case that the same dark impulses that lead to genocide may underlie the bullying that plagues the center's office – and be present in all human beings. The novel was on the bestseller list for a year and a half in Denmark, where it won the P2 Novel Prize and De Gyldne Laurbær ("The Golden Laurels"). In 2009, readers of Denmark's largest newspaper, Jyllands-Posten, voted The Exception the second best Danish novel of the past 25 years, and in 2010 it won another readers' poll of the best Danish novel of the preceding decade. The Exception has been published in 18 countries. It was nominated for the International IMPAC Dublin Literary Award, as well as being shortlisted for the Duncan Lawrie Dagger in the United Kingdom, the Grand Prix des Lectrices de Elle in France, and the Martin Beck Award in Sweden. In the US, both The New York Times and Amazon designated the novel as an editor's choice. Jungersen's latest novel, You Disappear ("Du Forsvinder"), is narrated by Mia, whose husband Frederik undergoes radical personality changes due to a slowly growing brain tumor that leaves his intellect, speech and motor control intact. Their lives change even more when it comes out that, in the year before his diagnosis, he embezzled 12 million crowns from the private Copenhagen school where he is headmaster. But was the tumor already determining his actions at the time, absolving him, or should he go to jail? In preparing Frederik's defense, Mia immerses herself in the latest brain research, the emerging neurological portrait of human nature, and the classic metaphysical question of free will. Her reading profoundly affects how she responds to Frederik – and to her own passionate impulses. You Disappear has been both a critical and a commercial success in Denmark since being published there in March 2012. Library and newspaper readers awarded it the Læsernes Bogpris, and it was nominated for two other major honors, Politiken's Literature Prize and the Martha Prize, while staying on the top-10 list of bestselling fiction for an entire year. You Disappear is scheduled to be published in an additional 10 countries in 2013 and 2014, with US publication slated for January 2014 from Nan A. Talese/Doubleday. The American translation by Misha Hoekstra won the Leif & Inger Sjöberg Prize from the American-Scandinavian Foundation.

 

 

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(04/05/2015) The Sad End of Policarpo Quaresma by Lima Barreto. New York. 2014. Penguin Books. Translated from the Portuguese by Mark Carlyon. With an introduction by Lilia Moritz Schwarcz. 242 pages. paperback. Cover: detail from photograph by Harriet Chalmers Adams, c.1920. First published in Rio de Janeiro in 1911 as Triste Fim de Policarpo Quaresma. 9780141395708.

 

FROM THE PUBLISHER -

 

9780141395708   'The seed of madness exists in all of us and with no warning may attack, overpower, crush and bury us. .' Policarpo Quaresma - fastidious civil servant, dedicated patriot, self-styled visionary - is a defender of all things Brazilian, full of schemes to improve his beloved homeland. Yet somehow each of his ventures, whether it is petitioning for Brazil's national language to be changed, buying a farm to prove the richness and fertility of the land, or offering support to government forces as they suppress a military revolt - results in ridicule and disaster. Quixotic and hapless, Quaresma's dreams will eventually be his undoing. Funny, despairing, moving and absurd, Lima Barreto's masterpiece shows a man and a country caught in the violent clash between illusion and reality, hope and decline, sanity and madness.

 

Also published in England in 1978 by Rex Collins as The Patriot and translated from the Portuguese by Robert Scott-Buccleuch. 216 pages. hardcover. Jacket by Poty. 0860360601.

 

FROM THE BRITISH PUBLISHER -

 

  THE PATRIOT (Triste fim de Policarpo Quaresma) is unquestionably Lima Barreto’s greatest work. It is not merely because of the unforgettable character he has created, but because it is written with restraint and good-humored tolerance that is scarcely to be found in any of his other novels, He has disciplined the passionate outbursts, curbed the bitterness of his satire and avoided personal attacks on his individuals, unless we so qualify his masterly portrait of the national hero, Floriano Peixoto. The novel embraces a great deal of Brazilian life, a great deal that is typically Brazilian, Some characters and incidents may appear grotesque and exaggerated, for example such incidents as the civilian bystander being allowed to fire a gun at the enemy; to Caldas trying to find his ship; to Quaresma’s petition to Congress. Alfonso Henriques de Lima Barreto was born of mulatto parents in 1881. His father, a master typesetter, sent him to one of the best schools in Rio de Janeiro and then to the polytechnic, determined that he should become an engineer. But before he could graduate his father went mad and Lima Barreto was forced to leave school in order to support the family. He took a job as a minor civil servant. Then began to write; publishing his first novel in Lisbon in 1909. This novel is Isaias Caminha was not well received in Rio-its bitter satire of established and easily recognizable figures was much resented. He aroused hostility in the literary and Bohemian circles of the capital, To escape from the indifference of his fellow writers and the drudgery of his work as a civil servant, he took increasingly to drink, becoming a hopeless alcoholic eventually-even spending two periods confined in an asylum. Drink ruined his health and he died in 1922 at the early age of 41. Whoever knows Brazil today knows that this is Brazil. Whoever knows Brazil today knows that Doctor Campos, General Albernaz, Ricardo Coracao dos Outros, Armando Borges, Genelicio and Policarpo Quaresma as well as all the others in this rich gallery are as alive today as they were half a century ago.

 

Barreto Lima  Afonso Henriques de Lima Barreto (May 13, 1881 - November 1, 1922) was a Brazilian novelist and journalist. A major figure on the Brazilian Pre-Modernism, he is famous for the novel Triste Fim de Policarpo Quaresma, a bitter satire of the first years of the República Velha in Brazil. Lima Barreto was born in Rio de Janeiro in 1881, to João Henriques de Lima Barreto and Amália Augusta. His father was a typographer and a monarchist who had close connections to Afonso Celso de Assis Figueiredo, the Viscount of Ouro Preto, who would later become Lima Barreto's godfather. Barreto's mother died when he was very young, and he was subsequently sent to study at a private school run by Teresa Pimentel do Amaral. Soon after, he entered at the Liceu Popular Niteroiense, after the Viscount of Ouro Preto decided to pay for his studies. He graduated in 1894, and in the following year, he would enter the famous Colégio Pedro II. Soon after he graduated, he entered the Escola Politécnica do Rio de Janeiro, but was forced to abandon it in 1904 in order to take care of his brothers, since his father's mental health was starting to deteriorate. Barreto used to write for newspapers since 1902, but he achieved fame in 1905, writing for the Correio da Manhã a series of articles regarding the demolition of Castle Hill. In 1911 he founded, alongside some friends, a periodical named Floreal. Although it only lasted for two issues, it received a warm reception by the critics. In 1909 he published his first novel, Recordações do Escrivão Isaías Caminha, a contundent and semi-autobiographical satire of the Brazilian society. However, his masterpiece was Triste Fim de Policarpo Quaresma, that was published in 1911, under feuilleton form, being re-released under hardcover form in 1915. During his last years of life, Barreto was attacked by heavy crisis of depression, which led him to alcoholism and many internations on different psychiatric hospitals and sanatoriums. He died of a heart attack in 1922.

 

 

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(04/04/2015) Against Nature by Joris-Karl Huysmans. Baltimore. 1959. Penguin Books. A new translation from the French by Robert Baldick. With An Introduction by Robert Baldick. 220 pages. L86. paperback.

 

FROM THE PUBLISHER -

 

penguin against nature l86   First published in 1884, Huysmans’ A Rebours caused a sensation. Oscar Wilde made it a textbook for Dorian Gray, observing: ‘It was the strangest book that he had ever read’. The novel recounts the exotic practices and perverse pleasures of Due Jean Floressas des Esseintes, a wealthy aesthete in search of an elusive ideal. In his neurotic sensibility, his passion for novelty, Des Esseintes foreshadows every unhappy, solitary hero of the twentieth century; he epitomizes the spiritual anguish of modern times. Robert Baldick’s translation preserves the richness and complexity of Huysmans’ style, making this unique work fascinating reading.

 

  Charles-Marie-Georges Huysmans (February 5, 1848 – May 12, 1907) was a French novelist who published his works as Joris-Karl Huysmans. He is most famous for the novel À rebours (1884, published in English as Against the Grain or Against Nature). He supported himself by a 30-year career in the French civil service. Huysmans' work is considered remarkable for its idiosyncratic use of the French language, large vocabulary, descriptions, satirical wit and far-ranging erudition. First considered part of Naturalism in literature, he became associated with the decadent movement with his publication of À rebours. His work expressed his deep pessimism, which had led him to the philosophy of Arthur Schopenhauer. In later years, his novels reflected his study of Catholicism, religious conversion, and becoming an oblate. He discussed the iconography of Christian architecture at length in La cathédrale (1898), set at Chartres and with its cathedral as the focus of the book. Là-bas (1891), En route (1895) and La cathédrale (1898) are a trilogy that feature Durtal, an autobiographical character whose spiritual progress is tracked and who converts to Catholicism. In the novel that follows, L'Oblat (1903), Durtal becomes an oblate in a monastery, as Huysmans himself was in the Benedictine Abbey at Ligugé, near Poitiers, in 1901. La cathédrale was his most commercially successful work. Its profits enabled Huysmans to retire from his civil service job and live on his royalties.

 

 

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(04/03/2015) Toussaint Louverture: The Story of the Only Successful Slave Revolt in History; a Play in Three Acts by C. L. R. James. Durham. 2013. Duke University Press. Edited and introduced by Christian Høgsbjerg. With a foreword by Laurent Dubois. 224 pages. paperback. Cover: The British Library Board, ‘The Sketch’, 25 March 1936, pg 613. 9780822353140.

 

FROM THE PUBLISHER -

 

   In 1934 C. L. R. James, the widely known Trinidadian intellectual, writer, and political activist, wrote the play Toussaint Louverture: The Story of the Only Successful Slave Revolt in History, which was presumed lost until the rediscovery of a draft copy in 2005. The play's production, performed in 1936 at London's Westminster Theatre with a cast including the American star Paul Robeson, marked the first time black professional actors starred on the British stage in a play written by a black playwright. This edition includes the program, photographs, and reviews from that production, a contextual introduction and editorial notes on the play by Christian Hogsbjerg, and selected essays and letters by James and others. In Toussaint Louverture, James demonstrates the full tragedy and heroism of Louverture by showing how the Haitian revolutionary leader is caught in a dramatic conflict arising from the contradiction between the barbaric realities of New World slavery and the modern ideals of the Enlightenment. In his portrayal of the Haitian Revolution, James aspired to vindicate black accomplishments in the face of racism and to support the struggle for self-government in his native Caribbean. Toussaint Louverture is an indispensable companion work to The Black Jacobins (1938), James's classic account of Haiti's revolutionary struggle for liberation. This edition of Toussaint Louverture: The Story of the Only Successful Slave Revolt in History includes the program, photographs, and reviews from its 1936 production at London's Westminster Theatre, a contextual introduction and editorial notes on the play by Christian Hogsbjerg, and selected essays and letters by James and others.

 

 Cyril Lionel Robert James (4 January 1901–19 May 1989) was an Afro-Trinidadian journalist, socialist theorist and writer. Born in Trinidad and Tobago, then a British Crown colony, James attended Queen’s Royal College in Port of Spain before becoming a cricket journalist, and also an author of fiction. He would later work as a school teacher, teaching among others the young Eric Williams. Together with Ralph de Boissière, Albert Gomes and Alfred Mendes, James was a member of the anti-colonialist Beacon Group, a circle of writers associated with The Beacon magazine.

 

Christian Høgsbjerg is a historian who lectures at Leeds Metropolitan University.

 

 

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(04/01/2015) The Neverfield Poem by Nathalie Handal. Sausalito. 1999. Post-Apollo Press. 57 pages. paperback. Cover by The Set Up, London. 0942996356.

 

FROM THE PUBLISHER -

 

   ‘The Neverfield is a work which insists on itself. It is poetry of a shining quality from a poet whose voice is sure and unafraid.’ - Lucille Clifton. ‘The Neverfield is an epic journey, a passionate search for beauty and truth. If beauty is truth, and truth is beauty, the poems in this volume lead us once again to that realization. The Neverfield is an enchanting work, sharing with us a poet’s true vision.’ - Rudolfo Anaya. ‘Nathalie Handal’s poems in her collection The Neverfield are wide as breath, lyrically Linked as an elegantly stitched Palestinian bodice, and dreamily, deeply evocative as the stories that never leave us from the first time we hear them.’ - Naomi Shihab Nye. ‘As I turned the pages of this work, I was reminded of how vast the universe is. The Neverfield is everlasting by nature. After reading it, I breathed deeply and praised the word. This is a holistic piece of work.’ - Benjamin Zephaniah.

 

  Nathalie Handal (born 29 July 1969) is an American award-winning poet, writer, and playwright. Nathalie Handal was born in Haiti to parents of Palestinian descent, and grew up in Pétionville. Having also lived in Europe, the United States, Latin America, and the Caribbean, the writer-poet-playwright is acutely aware of the commonality of the human experience and of the fact that ‘we don't exist in the jointed way that we should.’ She feels this most in the US's ‘material consumerist society,’ while in places like Africa and Latin America political unrest and a certain type of hardship forces you to look outside, beyond ourselves and the small space we live in. ‘Today I feel deeply connected to the world. Yes, I am Palestinian, but I am also French, Latina, and American.’ The cadence of Nathalie Handal’s voice resembles her nomadic life. ‘I don’t have a mother tongue. I grew up speaking many languages, and these different languages have slipped into my English. My English is cross-fertilized with French, Spanish, Arabic, Creole….I love the idea of a bridge of words, a bridge of poems connecting us….showing us what it’s like to be human,’ she says. Her voice has the mellifluous tinge of a French accent, due to her upbringing in her native Haiti where French is the official language, and maintained with her residence in Paris. She earned a MFA in Creative Writing from Bennington College, Vermont and a MPhil in English and Drama at Queen Mary University of London. She visited Bethlehem for the first time as a teenager. She became interested in the writing of Arab women in the 1990s. She has residences in both New York City and Paris. Handal is the author of four books of poetry, several plays and the editor of two anthologies. She is a Lannan Foundation Fellow, a Fundación Araguaney Fellow, recipient of the Alejo Zuloaga Order in Literature 2011, the AE Ventures Fellowship, an Honored Finalist for the 2009 Gift of Freedom Award, and was shortlisted for New London Writers Awards and The Arts Council of England Writers Awards. She has also been involved as a writer, director, or producer in over twelve theatrical or film productions. Her work has appeared in numerous anthologies and magazines, such as The Guardian, World Literature Today, The Virginia Quarterly Review, Poetrywales, Ploughshares, Poetry New Zealand, Crab Orchard Review, and The Literary Review; and has been translated into more than fifteen languages. She was the featured poet in the PBS NewsHour on April 20, 2009. Her book The Lives of Rain was shortlisted for the Agnes Lynch Starrett Poetry Prize and received the Menada Literary Award. Her latest poetry book, Love and Strange Horses, is the winner of the 2011 Gold Medal Independent Publisher Book Award (IPPY Award), and an Honorable Mention at the San Francisco Book Festival and the New England Book Festival. Poet in Andalucía (2012) consists of ‘poems of depth and weight, and the sorrowing song of longing and resolve.’ Handal has promoted international literature through translation and research, and edited The Poetry of Arab Women, an anthology that introduced several Arab women poets to a wider audience in the West and is used in university classes around the U.S. It was an Academy of American Poets bestseller and won the PEN Oakland/Josephine Miles Literary Award. She co-edited along with Tina Chang and Ravi Shankar the anthology Language for a New Century: Contemporary Poetry from the Middle East, Asia & Beyond. She was Picador Guest Professor at Leipzig University, Germany, and is currently teaching a translation workshop at Columbia University and part of the Low-Residency MFA faculty at Sierra Nevada College. Handal wrote a blog in 2010 called ‘The City and The Writer’, for the online magazine Words Without Borders. She has also written a piece based upon a book of the King James Bible as part of the Bush Theatre's 2011 project Sixty-Six Books. Handal writes in English, but uses Arabic, French and Spanish phrases in conversation. Her story ‘Umm Kulthoum at Midnight’ was described as a ‘daring and sensual story about the hypocrisies underlying Arabic morals and traditions.’ In her collection Poet in Andalucía she goes back to Islamic Spain where she believes Christians, Jews, and Muslims lived in relative harmony and the fates of Jews and Muslims were similar. In an interview in 2001, Handal said that since ‘many Israelis and Palestinians interact on a daily basis’ this makes ‘them no longer strangers to each other. They know each other, even if often they do not agree with each other. There are many similarities between the two people.’ She continued, and said that ‘however, for many Jewish-Americans, Palestinians are ‘the Other.’ [Jewish-Americans] often do not realize how closely linked the two people are.’ Since January 12, 2010, Haiti has been an open wound. Her visit on February 21, 2011, 25 years since being in Haiti (except for two brief entrances), a young girl at the time was seemingly exempt from the turmoil that led to the overthrow of Baby Doc and the chaotic aftermath of his regime. Remembering her youth in Haiti brought up images of hopscotch in school courtyards, of school uniforms, of eating mangoes and drinking fresco (ice with flavored syrup) in Pétionville. A study by the Inter-American Development Bank reported that before the earthquake nearly half the school-age children did not go to school, only one-fifth of teachers had any pedagogical training, three-quarters of schools were unaccredited, and more than half lacked running water. The earthquake destroyed 5,213 schools (4,820 in the West, 154 in Nippes, and 239 in the South-East). Before the earthquake, Handal wrote a poem about her experience in Haiti entitled, The Cry of Flesh, where she writes about the island, its struggles but yet its rich culture and mentions musician Sweet Mickey dancing in the streets of Port-au-Prince, whose real name is Michel Martelly, the former compas musician and the current President of Haiti.

 

 

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(03/31/2015) From Guernica to Human Rights: Essays on the Spanish Civil War by Peter N. Carroll. Kent. 2015. Kent State University Press. 6 x 9. illustrations, notes, index. 216 pages. April 2015. hardcover. 9781606352380.

 

FROM THE PUBLISHER -

 

9781606352380   The best essays by one of the leading experts on the Spanish Civil War. The Spanish Civil War, a military rebellion supported by Hitler and Mussolini, attracted the greatest writers of the age. Among them were Ernest Hemingway, George Orwell, André Malraux, Arthur Koestler, Langston Hughes, and Martha Gellhorn. They returned to their homelands to warn the world about a war of fascist aggression looming on the horizon. Spain’s cause drew 35,000 volunteers from 52 countries, including 2,800 Americans who formed the Abraham Lincoln Brigade. Eight hundred Americans lost their lives. Of them, Hemingway wrote, ‘no men entered earth more honorably than those who died in Spain.’ Writers and soldiers alike saw Spain as the first battlefield of World War II. In the title essay of this book, historian Peter N. Carroll traces the war’s legacy, from the shocking bombing of the Basque town of Guernica by German and Italian air forces to the attacks on civilians and displacement of refugees in later wars. Carroll’s work focuses on both the personal and political motives that led seemingly ordinary Americans to risk their lives in a foreign war. Based on extensive oral histories of surviving veterans and original archival work—including material in the once-secret Moscow archives—the essays, some never before published, present forty years of scholarship. A portrait of three American women illustrates the growing awareness of a fascist threat to our home front. Other pieces examine the role of ethnicity, race, and religion in prompting Americans to set off for war. Carroll also examines the lives of war survivors. Novelist Alvah Bessie became a screenwriter and emerged as one of the blacklisted ‘Hollywood Ten.’ Ralph Fasanella went from union organizing to becoming one of the country’s significant ‘outsider’ painters. Hank Rubin won fame as a food connoisseur and wine columnist. And one volunteer, the African American Sgt. Edward Carter, earned a Congressional Medal of Honor for his heroism in World War II. Most famously, Ernest Hemingway wrote For Whom the Bell Tolls. His sharp criticism of the film version of the novel, in a series of private letters published here for the first time in book form, reveals his deep commitment to the antifascist cause. For those who witnessed the war in Spain, the defeat of democracy remained, in the words of Albert Camus, ‘a wound in the heart.’ From Guernica to Human Rights is essential reading for anyone interested in the Spanish Civil War and its aftermath.

 

Carroll Peter N  Peter N. Carroll has written several books about the Spanish Civil War, including The Odyssey of the Abraham Lincoln Brigade; Letters from the Spanish Civil War: A U.S. Volunteer Writes Home (edited with Fraser Ottanelli; The Kent State University Press, 2013); and War is Beautiful: An American Ambulance Driver in the Spanish Civil War by James Neugass (edited with Peter Glazer). He is Chair Emeritus of the Board of Governors of the Abraham Lincoln Brigade Archives and editor of the quarterly The Volunteer. He teaches history at Stanford University.

 

 

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(03/30/2015) Night Journey by Maria Negroni. Princeton. 2002. Princeton University Press. Translated from the Spanish by Anne Twitty. Lockert Library of Poetry in Translation - Richard Howard, Series Editor. 144 pages. paperback. 069109098x.

 

FROM THE PUBLISHER -

 

   One of South America’s most celebrated contemporary poets takes us on a fantastic voyage to mysterious lands and seas, into the psyche, and to the heart of the poem itself. Night Journey is the English-language debut of the work that won María Negroni an Argentine National Book Award. It is a book of dreams—dreams she renders with surreal beauty that recalls the work of her compatriot Alejandra Pizarnik, with the penetrating subtlety of Borges and Calvino. In sixty-two tightly woven prose poems, Negroni deftly infuses haunting imagery with an ironic, personal spirituality. Effortlessly she navigates the nameless subject to the slopes of the Himalayas, to a bar in Buenos Aires, through war, from icy Scandinavian landscapes to the tropics, across seas, toward a cemetery in the wake of Napoleon’s hearse, by train, by taxis headed in unrequested directions, past mirrors and birds, between life and death. Night Journey reflects a mastery of a traditional form while brilliantly expressing a modern condition: the multicultural, multifaceted individual, ever in motion. Displacement abounds: a ‘medieval tabard’ where a pelvis should be, a ‘lipless grin,’ a ‘beach severed from the ocean.’ In one poem ‘nomadic cities’ whisk past. In another, smiling cockroaches loom in a visiting mother’s eyes. Anne Twitty, whose elegant translations are accompanied by the Spanish originals, remarks in her preface that the book’s ‘indomitable literary intelligence’ subdues an unspoken terror—helplessness. Yet, as observed by the angel Gabriel, the consoling voice of wisdom, only by accepting the journey for what it is can one discover its ‘hidden splendor,’ the ‘invisible center of the poem.’ As readers of this magnificent work will discover, this is a journey that, because its every fleeting image conjures a thousand words of fertile silence, can be savored again and again.

 

Negroni Maria  María Negroni was born October 9, 1951 in Rosario, Argentina. She has published eleven books of poetry, three collections of essays, and two novels, as well as works in translation from French and English. Her work has appeared internationally in literary journals, including Diario de Poesía, Página 12, The Paris Review, Circumference, and Bomb, among others. She has been awarded two Argentine National Book Awards, for her collection of essays Ciudad Gótica (1996) and her poetry collection Viaje de la noche (1997). Her book of poems Islandia, in Anne Twitty’s translation, received a PEN Translation Award in 2001. She has been a recipient of fellowships from the Guggenheim Foundation, the Rockefeller Foundation, Fundación Octavio Paz, the New York Foundation for the Arts, and others. She teaches at Sarah Lawrence College. Winner of the following awards - International Prize for Essay Writing from Siglo XXI, 2002 PEN Award for best book of poetry in translation, for Islandia, 2000-2001 Octavio Paz Fellowship for Poetry, 1997 Argentine National Book Award, for El viaje de la noche, 1994 Guggenheim Fellowships.

 

 

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(03/29/2015) Pan: From Lieutenant Thomas Glahn’s papers by Knut Hamsun. New York. 1956. Noonday Press. Translated Form The Norwegian by James W. McFarlane. 192 pages. paperback.

 

FROM THE PUBLISHER -

 

pan noonday 1956   Of Knut Hamsun, Rebecca West has said, ‘Hamsun has the qualities that belong to the very great, the completest omniscience about human nature.’ These qualities are nowhere better exemplified than in the great novel of his youth, PAN. A startlingly dramatic story, set in the Northern wilderness, the book created a world sensation when it was first published in Denmark. It tells of the summer romance of Lieutenant Thomas Glahn, who is vacationing in the North, and Edvarda Mack, the spoiled young daughter of the wealthy man of the district. Edvarda’s coquetry acts upon Glahn’s perverse, destructive nature so as to turn what has, begun as an idyll into a tragedy. This, however, is the way of the forest, and, for Hamsun, Edvarda and Glahn become symbols of the irrational passions that motivate existence. This translation by James W. McFarlane has been widely praised: ‘An excellent new translation.’ - ARTHUR KOESTLER, Sunday Times. ‘A great improvement on the earlier one.’ - The Observer.

 

  KNUT HAMSUN was born in 1859 in the Gudbransdal Valley of central Norway, and died in 1952, at the age of ninety-three. In 1920 he was awarded the Nobel Prize.

 

 

 

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(03/28/2015) Night Roamers and Other Stories by Knut Hamsun. Seattle. 1992. Fjord Press. Translated from the Norwegian by Tiina Nunnally. 156 pages. hardcover. Cover painting by Edvard Munch, Evening on Karl Johan, 1892. Oil on canvas, 84.5 x 121 cm. Rasmus Meyer's Collections, Bergen; courtesy of Oslo Kommunes Kinstamlinger, Munch-Museet, Oslo. (original title: Livsfragmenter, 1988 - Gyldendal Norsk Forlag). 0940242249.

 

FROM THE PUBLISHER -

 

   Lesser-known stories by the Norwegian Nobel laureate. Hamsun explores familiar themes of spiritual hunger, youthful searching, madness, illness and death in turn-of-the-century Norway through protagonists whose experiences (and complaints) mirror his own.

 

 KNUT HAMSUN was born in 1859 in the Gudbransdal Valley of central Norway, and died in 1952, at the age of ninety-three. In 1920 he was awarded the Nobel Prize.

 

 

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(03/27/2015) The Harder They Come by T. Coraghessan Boyle. New York. 2015. Ecco Press. 385 pages. March 2015. hardcover. Jacket art & design by Jim Tierney. 9780062349378.

FROM THE PUBLISHER -

 

   Acclaimed New York Times bestselling author T.C. Boyle makes his Ecco debut with a powerful, gripping novel that explores the roots of violence and anti-authoritarianism inherent in the American character. Set in contemporary Northern California, The Harder They Come explores the volatile connections between three damaged people—an aging ex-Marine and Vietnam veteran, his psychologically unstable son, and the son's paranoid, much older lover—as they careen towards an explosive confrontation. On a vacation cruise to Central America with his wife, seventy-year-old Sten Stensen unflinchingly kills a gun-wielding robber menacing a busload of senior tourists. The reluctant hero is relieved to return home to Fort Bragg, California, after the ordeal—only to find that his delusional son, Adam, has spiraled out of control. Adam has become involved with Sara Hovarty Jennings, a hardened member of the Sovereign Citizens’ Movement, right-wing anarchists who refuse to acknowledge the laws and regulations of the state, considering them to be false and non-applicable. Adam’s senior by some fifteen years, Sara becomes his protector and inamorata. As Adam's mental state fractures, he becomes increasingly schizophrenic—a breakdown that leads him to shoot two people in separate instances. On the run, he takes to the woods, spurring the biggest manhunt in California history. As he explores a father’s legacy of violence and his powerlessness in relating to his equally violent son, T. C. Boyle offers unparalleled psychological insights into the American psyche. Inspired by a true story, The Harder They Come is a devastating and indelible novel from a modern master.

 

 Tom Coraghessan Boyle (born Thomas John Boyle; also known as T.C. Boyle; born December 2, 1948) is an American novelist and short story writer. Since the mid-1970s, he has published fourteen novels and more than 100 short stories. He won the PEN/Faulkner award in 1988, for his third novel, World's End, which recounts 300 years in upstate New York. He is Distinguished Professor of English at the University of Southern California.

 

 

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(03/26/2015) Jacob's Room by Virigina Woolf. New York. 1998. Signet/New American Library. Introduction By David Denby. 204 pages. January 1998. CE2665. paperback. Cover: Vanessa Bell. 0451526651

 

FROM THE PUBLISHER -

 

0451526651   The publication of Jacob's Room in 1922 marked a turning point in Virginia Woolf's career - and in the evolution of the English novel. Based on her own brother Thoby, who died in 1906, Jacob's Room follows the life of a fatherless boy, Jacob Flanders, from his childhood until his tragic death during World War I. Unlike her more traditional first novel, The Voyage Out, this novel is poetic, nearly plotless, and focuses on a flow of random impressions through the minds of its characters. A crab in a tidal pool, an unsuccessful dinner at a professor's house, a conversation about Greece, all become crucial reflections of human experience, revealing larger landscapes of sensibilities, values, and passions. So exquisitely crafted that both the universal qualities of youth and the uniqueness of one young man become powerfully fused, Jacob's Room is Woolf's first stream - of - consciousness novel - nonlinear, experimental, and possessing an ending that is among the most moving in all of English literature. E. M. Forster wrote that with Jacob's Room, 'a new type of fiction has swum into view.' It remains a pivotal work in the development of the novel form and a testament to Woolf's genius and literary daring. Cover painting: Vanessa Bell, Interior With Duncan Grant, 1934. Williamson Art Gallery & Museum.

 

 Woolf Virginia Adeline Virginia Woolf (25 January 1882 – 28 March 1941) was an English writer and one of the foremost modernists of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, "A woman must have money and a room of her own if she is to write fiction." Woolf suffered from severe bouts of mental illness throughout her life, thought to have been the result of what is now termed bipolar disorder, and committed suicide by drowning in 1941 at the age of 59.

 

 

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(03/25/2015) The Temple of Iconoclasts by J. Rodolfo Wilcock. Boston. 2014. David Godine/verba mundi. Translated by Lawrence Venuti. 5.5 × 8.5. 224 pages. October 2014. paperback. 9781567925302

 

FROM THE PUBLISHER -

 

9781567925302   ‘One of the greatest and strangest... writers of this century.’ – Roberto Bolaño. From an armchair in England, Rosenblum hatches a complicated plot to return the world to the year 1580—reintroducing ruffs, doublets, codpieces, and sundry period diseases. By sheer force of will, Littlefield discovers that he’s able to crystalize table salt into the shapes of ‘chickens and other small animals.’ Babson founds an international organization with the declared aim of annulling the law of gravity. These are only a few of the dozens of eccentrics, visionaries, and downright crackpots who populate the pages of Juan Rodolfo Wilcock’s charming fiction in the form of a biographical dictionary. Temple’s brief portraits blend mordant satire and profound imaginative sympathy, taking in the whole dazzling spectrum of human folly—including a handful of colors that only Wilcock’s Swiftian eye could possibly have perceived. ‘Rodolfo Wilcock is a legendary writer.... His greatest work, The Temple of Iconoclasts, is without a doubt one of the funniest, most joyful, irreverent, and most corrosive books of the twentieth century... a festive, laugh-out-loud read... a writer whom no good reader should miss.’ – Roberto Bolaño. ‘Fictitious histories so engaging as to seem true and true histories so amusing as to seem fictitious.’ – Roberto Calasso, author of The Marriage of Cadmus and Harmony. ‘Compellingly whimsical, alienated, pseudo-scientific, bizarre: all these adjectives describe this fiction in the form of a short reference work, the first book by admired Argentinian-Italian novelist Wilcock to be published in English…Venuti renders Wilcock’s Italian into lucid, captivating English, and offers a biographical introduction. [Perfect for] lovers of postmodern mind games.’ – Publishers Weekly..

 

Wilcock Juan Rodolfo  Born in Buenos Aires in 1919, Juan Rodolfo Wilcock was a member of the circle of innovative writers that included Borges and Bioy Casares. Self-exiled in Rome, he became a leading Italian writer, publishing numerous books of poetry, journalism, fiction, and translation.

 

Lawrence Venuti is a distinguished translator and historian. His recent translations include I.U. Tarchetti’s Gothic romance, Fosca, Antonia Pozzi’s Breath: Poems and Letters, and Ernest Farrés’s Edward Hopper: Poems, which won the Robert Fagles Translation Prize.

 

 

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(03/24/2015) The Manner Music by Charles Reznikoff. Santa Barbara. 1977. Black Sparrow Press. 133 pages. hardcover. 0876853254

 

FROM THE PUBLISHER -

 

   FROM THE INTRODUCTION by Robert Creeley - A story is an extraordinary human possibility, and people have been making use of its resources no doubt since time, like they say, began. There are, of course, many stories, and many ways of telling each story—many, many variations and points of view and opinions as to what, after all, was the point. What happened? Well, it was like this. .. So the story begins, or might, to tell what happened , or might have happened, or didn't. One had not known, sadly, that Charles Reznikoff wrote novels. That a man should have such quiet and singular genius so modestly put aside (by himself) is regrettable. So much does shout at us, belligerently claiming attention for its style or its intelligence or its newness, that a story such as this one, so shyly assertive of what it so truly knows, is, humanly, such deep relief and reassurance—that one of us can care. The circumstances involved with its writing are briefly summarized by its present publisher, John Martin, as follows: ‘I have recently gone through Charles Reznikoff's lifetime accumulation of manuscript, and was thunderstruck to find a carefully typed, completed novel, which he apparently never mentioned to anyone, or submitted for publication. It was, I think, composed in the early 1950's and is called ‘The Manner Music .’ It is autobiographical, with one character, the narrator of the story, representing an aspect of Charles himself—the Charles who worked as a drummer, selling ladies' hats, who was disillusioned at trying to find the leisure to write, at getting his poetry accepted, etc. The protagonist of the novel, called Jude Dalsimer, is the Charles who never doubted his worth as a poet and who was determined to live out this destiny regardless of circumstance. A third character in the story, called Paul Pasha, is a portrait of Charles' most faithful friend for many years, who was a successful motion picture producer. I believe this novel was written in response to a letter William Carlos Williams wrote Charles in the late 1940's, at a time when Charles' career was at low ebb, urging him to continue writing at any cost, and if possible to write a novel.. .’ Stories are changed in telling, of course, so this one is not a simple rehearsal of a part of a man's life. There are, in fact, many stories here, ‘the manner, music ,’ an interweaving of a complex of ‘things’ happening, being recalled and told. The plot is an ageless one, the story of two men who have known each other since they were boys. One tells us what he knows of the other's life, as he is witness to it but also as the other tells him of it. Times are reasonably good, then are not, then come to the anticipated disaster. Jude Dalsimer, whose life is the novel's center, will not give up his music , which is not a secure means of livelihood as his friend well knows, having himself yielded similar hopes for a more dependable job. But, for Jude, it is the means of transforming all the welter of emotion and event into an articulate form. Neither his wife nor friend, nor anyone else, for that matter, can understand it. But, as his friend finally says: ‘If Jude had wanted to write music and had not done his best to do so, he might have lived longer and more pleasantly but, as he might have explained, it is as if one enlists in an army or perhaps is drafted: he must fight and may fall but may not desert. Most do, of course. I did, I suppose...’

 

  Charles Reznikoff (August 31, 1894 – January 22, 1976) was an American poet known for his long work, Testimony: The United States (1885-1915), Recitative (1934-1979). The term Objectivist was first coined for him. The two-volume Testimony was based on court records and explored the black experience in the United States. He followed this with Holocaust (1975), based on court testimony about Nazi death camps during World War II. When Louis Zukofsky was asked by Harriet Monroe to provide an introduction to what became known as the Objectivist issue of Poetry, he contributed his essay, Sincerity and Objectification: With Special Reference to the Work of Charles Reznikoff. This established the name of the loose-knit group of 2nd generation modernist poets and the two characteristics of their poetry: sincerity and objectification.

 

 

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(03/23/2015) Sunset Gun by Dorothy Parker. New York. 1928. Boni & Liveright. 75 pages. hardcover.

 

FROM THE PUBLISHER -

 

   A collection of 68 poems.by Dorothy Parker, including A Pig's-Eye View of Literature: The Lives and Times of John Keat, Percy Bysshe Shelly and George Gordon Noel, Lord Byron; Mortal Enemy, Penelope plus others. Poems in this book first appeared in the Bookman, the New Republic, the Nation, the New Yorker, Life, the Yale Review, McCall's, the New York World and the New York Post. CONTENTS: Godmother, Partial Comfort, The Red dress, Victoria, The Counsellor, Parable for a Certain Virgin, Bric-a-Brac, Interior, Reuben's Children, for R.C.B., There Was One, On Cheating the Fiddler, Incurable, Fable, The Second Oldest Story, A Pig's-Eye View of Literature: The Lives and Times of John Keats, Percy Bysshe Shelley and George Gordon Noel, Lord Byron, Oscar Wilde, Harriet Beecher Stowe, D.G. Rosetti, Thomas Carlyle, Charles Dickens, Alexandre Dumas and His Son, Alfred Lord Tennyson, George Gissing, Walter Savage Landor, George Sand, Mortal Enemy, Penelope, Bohemia, The Searched Soul, The Trusting Heart, Thought for a Sunshiny Morning, The Gentlest Lady, The Maid-Servant at the Inn, Fulfillment, Daylight Saving, Surprise, Swan Song, On Being a Woman, Afternoon, A Dream Lies Dead, The Homebody, Second Love, Fair Weather, The Whistling Girl, Story, Frustration, Healed, Landscape, Post-Graduate, Verses in the Night: Honeymoon, Triolet, Melange for the Unknown George, Liebstod, For a Favorite Grand-Daughter, Dilemma, Theory, A Fairly Sad Tale, The Last Question, Superfluous Advice, Directions for Finding the Bard, But Not Forgotten, Two-Volume Novel, Pour Prendre Conge, For a Lady Who Must Write Verse, Rhyme Against Living, Wisdom, Coda. Parker published her first volume of poetry, Enough Rope, in 1926. The collection sold 47,000 copies and garnered impressive reviews. The Nation described her verse as "caked with a salty humor, rough with splinters of disillusion, and tarred with a bright black authenticity". Although some critics, notably the New York Times reviewer, dismissed her work as "flapper verse", the volume helped cement Parker's reputation for sparkling wit. Parker released two more volumes of verse, Sunset Gun (1928) and Death and Taxes (1931), along with the short story collections Laments for the Living (1930) and After Such Pleasures (1933). Not So Deep as a Well (1936) collected much of the material previously published in Rope, Gun and Death and she re-released her fiction with a few new pieces in 1939 under the title Here Lies.

 

  Dorothy Parker (August 22, 1893 – June 7, 1967) was an American poet, short story writer, critic and satirist, best known for her wit, wisecracks, and eye for 20th-century urban foibles. From a conflicted and unhappy childhood, Parker rose to acclaim, both for her literary output in such venues as The New Yorker and as a founding member of the Algonquin Round Table. Following the breakup of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two Academy Award nominations, were curtailed as her involvement in left-wing politics led to a place on the Hollywood blacklist. Dismissive of her own talents, she deplored her reputation as a "wisecracker". Nevertheless, her literary output and reputation for her sharp wit have endured.

 

 

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(03/22/2015) Not Much Fun: The Lost Poems Of Dorothy Parker by Dorothy Parker. New York. 1996. Scribner. Compiled & With an Introduction by Stuart Y. Silverstein. 256 pages. hardcover. 0684818558

 

FROM THE PUBLISHER -

 

0684818558   Dorothy Parker wrote more than three hundred poems and verses for a variety of popular magazines and newspapers during the early years of her literary career. She collected most of these pieces in three volumes of poetry, Enough Rope, Sunset Gun and Death and Taxes. It is the remaining poems and verses, the ones that she failed to collect and whose very existence has been unknown to most of the general public for more than half a century, that comprise this volume. Eclectic and exuberant, the 122 forgotten poems and verses display the raw talent and dexterity of America's most renowned cynic. Some are topical, providing gimlet-eyed commentary on urban life from the First World War through the mid-twenties. With incomparable wit, Parker dissects contemporary fads and, in the raucous "Hate Verses," gleefully maligns most facets of humanity and popular culture, from husbands and wives to bohemians, slackers, summer resorts and movies. Some of the pieces are rare examples of Parker's experimentation with structured poetic forms. Others are more personal, celebrating her love of animals or scrutinizing the perils of passion. Notoriously - and irrationally - critical of her own work, Parker chose not to include this poetry in her previous collections. Nonetheless, many of the lost poems compare with her best, and nearly all display the distinctive wit, irony and precision that continue to attract succeeding generations of readers. In an authoritative and immensely entertaining introduction, Stuart Y. Silverstein recounts Parker's celebrated career.

 

  Dorothy Parker (August 22, 1893 – June 7, 1967) was an American poet, short story writer, critic and satirist, best known for her wit, wisecracks, and eye for 20th-century urban foibles. From a conflicted and unhappy childhood, Parker rose to acclaim, both for her literary output in such venues as The New Yorker and as a founding member of the Algonquin Round Table. Following the breakup of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two Academy Award nominations, were curtailed as her involvement in left-wing politics led to a place on the Hollywood blacklist. Dismissive of her own talents, she deplored her reputation as a "wisecracker". Nevertheless, her literary output and reputation for her sharp wit have endured.

 

 

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(03/21/2015) Islandia: A Poem by Maria Negroni. Barrytown. 2001. Station Hill Press/Barrytown Ltd. Translated from the Spanish by Anne Twitty. Bilingual Edition. 171 pages. paperback. 1886449155

 

FROM THE PUBLISHER -

 

   ‘Islandia is an extraordinary cycle of poems written in two very different and contrasting forms - the Nordic, masculine, epic style of the prose poems, and the Mediterranean, feminine, mannered lyric style of the others. Anne Twitty’s translation of this masterful cycle has itself been carried out with great mastery.’ - Esther Allen, translator of Octavio Paz, Rosario Castellanos, and Jorge Luis Borges. ‘The saga of Scandinavians, who - in flight or exile - founded Islandia, is counterpointed by the ironic verses of a female speaker who is also a shipwreck, a fugitive, and a seeker-inventor of islands. In this work, destinies cross—that of vehement navigators among the whales and mists, and that of a writer who, telling the saga of others, assumes and discards a sumptuous mask.’ - Julio E. Miranda, Domingo Hoy, Caracas. ‘With remarkable beauty, a major poet deciphers a landscape and a language embedded in the most profound Latin American tradition.’ - Tomás Eloy MartInez, author of Santa Evita. ‘A female voice brilliantly deconstructs the masculine constellation: epic/adventure/war... A severely wrought patina makes for a sense of excavation, out of which rises a different, female, spirit of adventure. In the words of the H.D. epigraph: ‘We are discoverers / of the not-known / the unrecorded; we have no maps.’ - Rosmarie Waidrop, author of The Reproduction of Profiles. ‘It is not easy to find a form for journey… for there is no poetry without cost.’ So say the ongoing voices in Maria Negroni’s remarkable and innovative book-length poem. It is a compelling work, deftly connecting embodied experience to history and a cornucopia of language.’ - Sophie Cabot Black, author of The Misunderstanding of Nature.

 

  María Negroni was born October 9, 1951 in Rosario, Argentina. She has published eleven books of poetry, three collections of essays, and two novels, as well as works in translation from French and English. Her work has appeared internationally in literary journals, including Diario de Poesía, Página 12, The Paris Review, Circumference, and Bomb, among others. She has been awarded two Argentine National Book Awards, for her collection of essays Ciudad Gótica (1996) and her poetry collection Viaje de la noche (1997). Her book of poems Islandia, in Anne Twitty’s translation, received a PEN Translation Award in 2001. She has been a recipient of fellowships from the Guggenheim Foundation, the Rockefeller Foundation, Fundación Octavio Paz, the New York Foundation for the Arts, and others. She teaches at Sarah Lawrence College. Winner of the following awards - International Prize for Essay Writing from Siglo XXI, 2002 PEN Award for best book of poetry in translation, for Islandia, 2000-2001 Octavio Paz Fellowship for Poetry, 1997 Argentine National Book Award, for El viaje de la noche, 1994 Guggenheim Fellowships.

 

Anne Twitty is a writer, interpreter and translator who lives in New York City. She was for some years editor of the Epicycle section of Parabola Magazine, where some of her essays were published. Anne Twitty’s translations of selections from Maria Negroni’s works have appeared in Hopscotch, Mandorla, The Paris Review and on-line at www.archipelago.org. Her translation of Night Journey (El viaje de la noché) appeared in a bilingual edition published by Princeton University Press in 2002.

 

 

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(03/20/2015) My Inventions and Other Writings by Nikola Tesla. New York. 2011. Penguin Books. Introduction by Samantha Hunt. 167 pages. paperback. Cover image: Inventor and physicist Nikola Tesla. Cover college: Janet Hansen. 9780143106616

 

FROM THE PUBLISHER -

 

   Famous for his pioneering contributions to the electronic age, his lifelong feud with Thomas Edison, and his erratic behavior, Nikola Tesla was one of the most brilliant and daring inventors and visionaries of his time. Originally written in 1919 as a series of articles in Electrical Experimenter magazine, MY INVENTIONS is Tesla's autobiography, with meditations on his major discoveries and innovations, including the rotating magnetic field, the magnifying transmitter, and the Tesla coil. This volume also includes three articles by Tesla, as well as an enlightening introduction that discredits many of the myths surrounding the thinker's eccentric life.

 

Tesla Nikola  Nikola Tesla (10 July 1856 – 7 January 1943) was a Serbian American inventor, electrical engineer, mechanical engineer, and futurist best known for his contributions to the design of the modern alternating current (AC) electricity supply system. Tesla gained experience in telephony and electrical engineering before immigrating to the United States in 1884 to work for Thomas Edison in New York City. He soon struck out on his own with financial backers, setting up laboratories and companies to develop a range of electrical devices. His patented AC induction motor and transformer were licensed by George Westinghouse, who also hired Tesla for a short time as a consultant. His work in the formative years of electric power development was also involved in the corporate struggle between making alternating current or direct current the power transmission standard, referred to as the War of Currents. Tesla went on to pursue his ideas of wireless lighting and electricity distribution in his high-voltage, high-frequency power experiments in New York and Colorado Springs and made early (1893) pronouncements on the possibility of wireless communication with his devices. He tried to put these ideas to practical use in his ill-fated attempt at intercontinental wireless transmission, which was his unfinished Wardenclyffe Tower project. In his lab he also conducted a range of experiments with mechanical oscillators/generators, electrical discharge tubes, and early X-ray imaging. He even built a wireless controlled boat, one of the first ever exhibited. Tesla was renowned for his achievements and showmanship, eventually earning him a reputation in popular culture as an archetypal 'mad scientist.' His patents earned him a considerable amount of money, much of which was used to finance his own projects with varying degrees of success. He lived most of his life in a series of New York hotels, through his retirement. He died on 7 January 1943. His work fell into relative obscurity after his death, but in 1960 the General Conference on Weights and Measures named the SI unit of magnetic flux density the tesla in his honor. Tesla has experienced a resurgence in interest in popular culture since the 1990s.

 

 

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(03/19/2015) Seeds Of Corruption by Sabri Moussa. Boston. 1980. Houghton Mifflin. Winner Pegasus Prize For Literature. Translated from the Arabic by Mona N. Mikhail. 169 pages. hardcover. Jacket by Danile Earl Thaxton. 0395285410

 

FROM THE PUBLISHER -

 

   Set in the harsh desert of eastern Egypt, Seeds of Corruption is the tale of a Ulysses-like hero in search of himself and his ultimate salvation. The novel becomes a singularly compelling play between the peace and desolation of the desert, the corruption of the dissolute Egyptian king and his court, the purity of the hero's daughter, and the simple dignity of the fishermen and desert Bedouins. Seeds of Corruption eloquently portrays the corruption of the Egyptian monarchy and the aristocracy before 1952 as aided by foreign influence. Nicola, a mine engineer of European background, must decide his true identity. Is he an exploiter, like his bourgeois business partner, or is he more like the people of the desert whom he admires so deeply for their ancestral dignity and sense of honor? The novel offers a vivid and colorful panorama of the Eastern desert by the Red Sea. Such a distant place is a refreshing departure and Moussa's style is rich in imagery and metaphors, making this book a masterpiece of fine Arabic writing.

 

  Sabri Moussa was born in 1932 in Dumiyat, Egypt, and lives in Cairo. He started writing in 1951 and has published four collections of short stories, three novels, three travel books and scripts for ten major Egyptian films, some of which, including Al-Boustagi [The Postman], are now considered classics.

 

 

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(03/18/2015) Charles Reznikoff: A Critical Essay by Milton Hindus. London. 1977. Menard Press. 69 pages. paperback. 0903400081

 

FROM THE PUBLISHER -

 

   Charles Reznikoff (August 31, 1894 – January 22, 1976) was an American poet known for his long work, Testimony: The United States (1885-1915), Recitative (1934-1979). The term Objectivist was first coined for him. The two-volume Testimony was based on court records and explored the black experience in the United States. He followed this with Holocaust (1975), based on court testimony about Nazi death camps during World War II. When Louis Zukofsky was asked by Harriet Monroe to provide an introduction to what became known as the Objectivist issue of Poetry, he contributed his essay, Sincerity and Objectification: With Special Reference to the Work of Charles Reznikoff. This established the name of the loose-knit group of 2nd generation modernist poets and the two characteristics of their poetry: sincerity and objectification.

 

  Milton Hindus (1916-1988) was a scholar of American and European literature and was one of the original 13 professors that founded Brandeis University in 1948. He taught there until his retirement in 1981. A native New Yorker, Professor Hindus was teaching at the University of Chicago when he was recruited as by Brandeis. He devoted much of his time in recent years to the work of Charles Reznikoff, a Brooklyn-born poet and editor (1894-1976). Professor Hindus wrote ''Charles Reznikoff: Man and Poet'' (1984), and ''Charles Reznikoff: A Critical Essay'' (1977), and worked on ''The Collected Letters of Charles Reznikoff.' He wrote ''Celine: The Crippled Giant'' (1950), a critical biography of the French writer Louis Ferdinand Celine, which was reissued as a paperback in 1997. Hindus was fascinated by Celine’s poetry, but repelled by his anti-semitism. Hindus corresponded with Celine for several years and the two eventually met for a series of meetings in Denmark in 1949. He also wrote ''The Proustian Vision'' (1954), ''A Reader's Guide to Marcel Proust'' (1962), and ''F. Scott Fitzgerald: An Introduction and Interpretation'' (1967). He was the author of ''Leaves of Grass: One Hundred Years Later'' (1955), which remains in print and earned him the Walt Whitman Prize of the Poetry Society of America. He also edited ''Walt Whitman'' for the Critical Heritage Series (1997). Also among his 16 books were ''The Jewish East Side: 1881-1924'' (1995), and ''A World at Twilight: A Portrait of East European Jewry on the Eve of the Holocaust'' (1971). He graduated in 1936 from City College, where he earned a master of arts degree in 1938. Before joining the faculty of the University of Chicago in 1946, he did postgraduate work at Columbia University and lectured at Hunter College and the New School for Social Research in New York. Hindus once wrote "My conviction is that the most important life is that of the mind, and if this does not transpire through all the writer's work, then indeed he has written in vain."

 

 

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(03/17/2015) The Murder of Harriet Krohn: An Inspector Sejer Mystery by Karin Fossum. Boston/New York. 2014. Houghton Mifflin Harcourt. Translated from the Norwegian by James Anderson. 242 pages. August 2009.. hardcover. Jacket design by Michaela Sullivan. 9780544273399

 

FROM THE PUBLISHER -

 

9780544273399   Available for the first time in English, the seventh entry in the beloved Inspector Sejer series from Norway’s Queen of Crime, Karin Fossum. On a wet, gray night in early November, Charlo Torp, a former gambler who’s only recently kicked the habit, makes his way through the slush to Harriet Krohn’s apartment, flowers in hand. Certain that paying off his debt is the only path to starting a new life and winning his daughter’s forgiveness, Charlo plans to rob the wealthy old woman’s antique silver collection. What he doesn’t expect is for her to put up a fight. The following morning Harriet is found dead, her antique silver missing, and the only clue Inspector Sejer and his team find in the apartment is an abandoned bouquet. Charlo should feel relieved, but he’s heard of Sejer’s amazing record — the detective has solved every case he’s ever been assigned to. Told through the eyes of a killer, The Murder of Harriet Krohn poses the question: how far would you go to turn your life around, and could you live with yourself afterward?

 

 Karin Fossum is the author of the internationally successful Inspector Konrad Sejer crime series. Her recent honors include a Gumshoe Award and the Los Angeles Times Book Prize for mystery/thriller. She lives in a small town in southeastern Norway.

 

 

 

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(03/16/2015) An Anthology of German Poetry from Hölderlin to Rilke in English Translations with German Originals by Angel Flores (editor). Garden City. 1960. Anchor/Doubleday. A Doubleday Anchor Original. 458 pages.. A197. paperback. Cover and typography by Edward Gorey.

 

FROM THE PUBLISHER -

 

   Here, in new translations done especially for this volume, are major and representative works of fourteen leading German lyric poets of the 19th and early 20th centuries. Included in this volume are: Friedrich Hölderlin, Novalis, Clemens Brentano, Joseph von Eichendorff, August Graf von Platen, Annette von Droste-Hülshoff, Heinrich Heine, Nikolaus Lenau, Eduard Mörike, Stefan George, Christian Morgenstern, Hugo von Hofmannsthal, Georg Traki, and Rainer Maria Rilke. The translations, each an independent work in its own right, have been done by such well-known writers as Vernon Watkins, Randall Jarrell, Robert Lowell, Constantine Fitzgibbon, Hugh McDiarmid, Francis Golffing, Peter Viereck, Michael Hamburger, Edwin Morgan, and Herman Salinger. Many of the poems are here translated into English for the first time. The original German text is given immediately below each translation. There are biographical notes on each poet, together with bibliographies giving suggestions for further reading.

 

Angel Flores (1900-1992) was a Puerto Rican author. He received an AB from New York University and a PhD from Cornell University. He passed away in 1992 in Guadalajara, Mexico.

 

 

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(03/15/2015) Why I Have Not Written Any Of My Books by Marcel Benabou. Lincoln. 1996. University Of Nebraska Press. Translated from the French by David Kornacker. 111 pages. hardcover. 0803212399

 

FROM THE PUBLISHER -

 

0803212399   Marcel Benabou is quick to acknowledge that his own difficulty in writing has had plenty of company. But the frustrations and pleasures can still be felt privately. Words stick and syntax is stubborn, meaning slips and synonyms cluster. A blank page taunts and a full one accuses. Benabou knows the heroic joy of depriving critics of victims, the kindness of sparing publishers decisions, and the public charity of leaving more room in bookstore displays. At once the budding of an author and the withering of the authoritative, Why I Have Not Written Any of My Books polishes the varnish of self-conscious writing until it peels away. It provides both a respectful litany of writers' fears and a dismissal of the alibis offered to excuse them.

 

 Marcel Bénabou is a scholar of Roman history, a novelist, and, since 1970, the Definitively Provisional Secretary of the Oulipo. His first and latest books are Résistance africaine à la romanisation (1976) and Ecrire sur Tamara (2002). Three of his novels have been published in English by the University of Nebraska Press: Why I Have Not Written Any of My Books (1996), Dump This Book While You Still Can! (2001), and, winner of the National Jewish Book Award, Jacob, Menahem, and Mimoun: A Family Epic (1998).

 

 

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