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The Inspector Montalbano mysteries from Andrea Camilleri:

Camilleri, Andrea. The Shape of Water: The First Inspector Montalbano Mystery. New York. 2002. Viking Press. 0670030929. Translated from the Italian by Stephen Sartarelli. 225 pages. hardcover. Cover: Andy Bridge.

0670030929

FROM THE PUBLISHER –

Andrea Camilleri's novels starring Inspector Montalbano have become an international sensation and have been translated from Italian into eight languages, ranging from Dutch to Japanese. THE SHAPE OF WATER is the first book in this sly, witty, and engaging series with its sardonic take on Sicilian life. Early one morning, Silvio Lupanello, a big shot in the village of Vigàta, is found dead in his car with his pants around his knees. The car happens to be parked in a rough part of town frequented by prostitutes and drug dealers, and as the news of his death spreads, the rumors begin. Enter Inspector Salvo Montalbano, Vigàta's most respected detective. With his characteristic mix of humor, cynicism, compassion, and love of good food, Montalbano goes into battle against the powerful and the corrupt who are determined to block his path to the real killer. This funny and fast-paced Sicilian page-turner will be a delicious discovery for mystery aficionados and fiction lovers alike.

Camilleri, Andrea. The Terra-Cotta Dog: An Inspector Montalbano Mystery. New York. 2002. Viking Press. 0670031380. Translated from the Italian by Stephen Sartarelli. 340 pages. hardcover. Jacket illustration by Andy Bridge.

FROM THE PUBLISHER –

Andrea Camilleri's Inspector Montalbano has garnered millions of fans worldwide with his sardonic take on Sicilian life. Montalbano's latest case begins with a mysterious têtê à têtê with a Mafioso, some inexplicably abandoned loot from a supermarket heist, and dying words that lead him to an illegal arms cache in a mountain cave. There, the inspector finds two young lovers, dead for fifty years and still embracing, watched over by a life-sized terra-cotta dog. Montalbano's passion to solve this old crime takes him on a journey through Sicily's past and into one family's darkest secrets. With sly wit and a keen understanding of human nature, Montalbano is a detective whose earthiness, compassion, and imagination make him totally irresistable.

Camilleri, Andrea. The Snack Thief: An Inspector Montalbano Mystery. New York. 2003. Viking Press. 0670032239. Translated from the Italian by Stephen Sartarelli. 298 pages. hardcover. Jacket illustration by Andy Bridge.

FROM THE PUBLISHER –

In the third book in Andrea Camilleri's Inspector Montalbano series, the urbane and perceptive Sicilian detective exposes a viper's nest of government corruption and international intrigue in a compelling new case. When an elderly man is stabbed to death in an elevator and a crewman on an Italian fishing trawler is machine-gunned by a Tunisian patrol boat off Sicily's coast, only Montalbano suspects the link between the two incidents. His investigation leads to the beautiful Karima, an impoverished housecleaner and sometime prostitute, whose young son steals other schoolchildren's midmorning snacks. But Karima disappears, and the young snack thief's life-as well as Montalbano's-is on the line.

Camilleri, Andrea. Voice of the Violin: An Inspector Montalbano Mystery. New York. 2003. Viking Press. 0670031437. Translated from the Italian by Stephen Sartarelli. 249 pages. hardcover. Jacket illustration by Andy Bridge, Jacket design by Paul Buckley.

FROM THE PUBLISHER –

Inspector Salvo Montalbano, with his compelling mix of humor, cynicism, and compassion, has been compared to Georges Simenon's, Dashiel Hammett's, and Raymond Chandler's legendary detectives. In this latest novel, Montalbano's gruesome discovery of a lovely, naked young woman suffocated in her bed immediately sets him on a search for her killer. Among the suspects are her aging husband, a famous doctor; a shy admirer, now disappeared; an antiques-dealing lover from Bologna; and the victim's friend Anna, whose charms Montalbano cannot help but appreciate. But it is a mysterious, reclusive violinist who holds the key to this murder.

Camilleri, Andrea. Excursion to Tindari: An Inspector Montalbano Mystery. New York. 2005. Penguin Books. 014303460x. Translated from the Italian by Stephen Sartarelli. 295 pages. paperback. Cover design by Paul Buckley. Cover illustration by Andy Bridge.

FROM THE PUBLISHER –

A young Don Juan is found murdered in front of his apartment building early one morning, and an elderly couple is reported missing after an excursion to the ancient site of Tindari - two seemingly unrelated cases for Inspector Montalbano to solve amid the daily complications of life at Vigata police headquarters. But when Montalbano discovers that the couple and the murdered young man lived in the same building, his investigation stumbles onto Sicily’s brutal ‘New Mafia’, which leads him down a path more evil and far-reaching than any he has been on before.

Camilleri, Andrea. The Smell of the Night: An Inspector Montalbano Mystery. New York. 2005. Penguin Books. 0143036203. Translated from the Italian by Stephen Sartarelli. 229 pages. paperback. Jacket illustration by Andy Bridge, Jacket design by Paul Buckley.

FROM THE PUBLISHER –

The number of Inspector Montalbano fans will continue to grow with this ingenious new novel featuring the earthy and urbane Sicilian detective. Half the retirees in Vigata have invested their savings with a financial wizard who has disappeared, along with their money. As Montalbano investigates this labyrinthine financial scam, he finds himself at a serious disadvantage: a hostile superior has shut him out of the case, he’s on the outs with his lover Livia, and his cherished Sicily is turning so ruthless and vulgar that Montalbano wonders if any part of it is worth saving. Drenched with atmosphere, crackling with wit, THE SMELL OF THE NIGHT is Camilleri at his most addictive.

Camilleri, Andrea. Rounding the Mark: An Inspector Montalbano Mystery. New York. 2006. Penguin Books. 014303748x. Translated from the Italian by Stephen Sartarelli. 304 pages. paperback. Jacket illustration by Andy Bridge, Jacket design by Paul Buckley.

FROM THE PUBLISHER –

The earthy and urbane Sicilian detective Inspector Montalbano casts his spell on more and more fans with each new mystery from Andrea Camilleri. Two seemingly unrelated deaths form the central mystery of ROUNDING THE MARK. They will take Montalbano deep into a secret world of illicit trafficking in human lives, and the investigation will test the limits of his physical, psychological, and moral endurance. Disillusioned and no longer believing in the institution he serves, will he withdraw or delve deeper into his work?

Camilleri, Andrea. The Patience of the Spider: An Inspector Montalbano Mystery. New York. 2007. Penguin Books. 9780143112037. Translated from the Italian by Stephen Sartarelli. 244 pages. paperback. Cover design by Paul Buckley. Cover illustration by Andy Bridge.

FROM THE PUBLISHER –

‘Can a man, approaching the end of his career, rebel a conditions that have kept him where he is?’ Still recovering from his gunshot wound, Inspector Montalbano is feeling the weight of his years, and of his solitude. He’s getting softer, more introspective, and critical of his life choices. But if withdrawing from society has become natural of late, he’ll soon be forced to interact with others, compelled to intervene as a web of hatred and secrets threatens to squeeze its victims to death. This is Montalbano’s most unusual and challenging case yet and the one that will either change him or break him.

Camilleri, Andrea. The Paper Moon: An Inspector Montalbano Mystery. New York. 2008. Penguin Books. 0143113003. Translated from the Italian by Stephen Sartarelli. 264 pages. paperback. Jacket illustration by Andy Bridge, Jacket design by Paul Buckley.

FROM THE PUBLISHER –

With their dark sophistication and dry humor, Andrea Camilleri's classic crime novels continue to win more and more fans in America. The latest installment of the popular mystery series finds the moody Inspector Montalbano further beset by the existential questions that have been plaguing him of late. But he doesn't have much time to wax philosophical before the gruesome murder of a man-shot at point-blank range in the face with his pants down-commands his attention. Add two evasive, beautiful women as prime suspects, some dirty cocaine, mysterious computer codes, and a series of threatening letters, and things soon get very complicated at the police headquarters in Vigàta.

Camilleri, Andrea. August Heat: An Inspector Montalbano Mystery. New York. 2009. Penguin Books. 0143114055. Translated from the Italian by Stephen Sartarelli. 278 pages. paperback. Jacket illustration by Andy Bridge, Jacket design by Paul Buckley.

FROM THE PUBLISHER –

When a colleague extends his summer vacation, Inspector Salvo Montalbano is forced to stay in Vigàta and endure the August heat. Montalbano's long-suffering girlfriend, Livia, joins him with a friend-husband and young son in tow-to keep her company during these dog days of summer. But when the boy suddenly disappears into a narrow shaft hidden under the family's beach rental, Montalbano, in pursuit of the child, uncovers something terribly sinister. As the inspector spends the summer trying to solve this perplexing case, Livia refuses to answer his calls-and Montalbano is left to take a plunge that will affect the rest of his life. Fans of the Sicilian inspector as well as readers new to this increasingly popular series will enjoy following the melancholy but unflinchingly moral Montalbano as he undertakes one of the most shocking investigations of his career.

Camilleri, Andrea. The Wings of the Sphinx: An Inspector Montalbano Mystery. New York. 2009. Penguin Books. 0143116608. Translated from the Italian by Stephen Sartarelli. 231 pages. paperback. Jacket illustration by Andy Bridge, Jacket design by Paul Buckley.

FROM THE PUBLISHER –

Things are not going well for Inspector Salvo Montalbano. His relationship with Livia is once again on the rocks and-acutely aware of his age-he is beginning to grow weary of the endless violence he encounters. Then a young woman is found dead, her face half shot off and only a tattoo of a sphinx moth giving any hint of her identity. The tattoo links her to three similarly marked girls-all victims of the underworld sex trade-who have been rescued from the Mafia night-club circuit by a prominent Catholic charity. The problem is, Montalbano's inquiries elicit an outcry from the Church and the three other girls are all missing.

Camilleri, Andrea. The Track of Sand: An Inspector Montalbano Mystery. New York. 2010. Penguin Books. 9780143117933. Translated from the Italian by Stephen Sartarelli. 264 pages. paperback. Cover design by Paul Buckley. Cover illustration by Andy Bridge.

FROM THE PUBLISHER –

Inspector Salvatore Montalbano wakes from strange dreams to find a gruesomely bludgeoned horse carcass in front of his seaside home. When his men came to investigate, the carcass has disappeared, leaving only a trail in the sand. Then his home is ransacked and the inspector is certain that the crimes are linked. As he negotiates both the glittering underworld of horseracing and the Mafia's connection to it, Montalbano is aided by his illiterate housekeeper, Adelina, and a Proustian memory of linguate fritte. Longtime fans and new readers alike will be charmed by Montalbano's blend of unorthodox methods, melancholy self-reflection, and love of good food.

Camilleri, Andrea. The Potter’s Field: An Inspector Montalbano Mystery. New York. 2011. Penguin Books. 9780143120131. Translated from the Italian by Stephen Sartarelli. 277 pages. paperback. Cover design by Paul Buckley. Cover illustration by Andy Bridge.

FROM THE PUBLISHER –

Witty and entertaining, the Montalbano novels by Andrea Camilleri-a master of the Italian detective story-have become favorites of mystery fans everywhere. In this latest installment, an unidentified corpse is found near Vigàta, a town known for its soil rich with potter's clay. Meanwhile, a woman reports the disappearance of her husband, a Colombian man with Sicilian origins who turns out to be related to a local mobster. Then Inspector Montalbano remembers the story from the Bible-Judas's betrayal, the act of remorse, and the money for the potter's field, where those of unknown or foreign origin are to be buried-and slowly, through myriad betrayals, finds his way to the solution to the crime.

Camilleri, Andrea. The Age of Doubt: An Inspector Montalbano Mystery. New York. 2012. Penguin Books. 9780143120926. Translated from the Italian by Stephen Sartarelli. 274 pages. paperback. Cover design by Paul Buckley. Cover illustration by Andy Bridge.

FROM THE PUBLISHER –

The day after a storm, Inspector Montalbano encounters a strange woman who expresses interest in a certain yacht scheduled to dock that afternoon. Not long after she's gone, the yacht's crew reports finding a disfigured corpse. Also at anchor is a luxury vessel with a somewhat shady crew. Both boats will have to stay in Vigàta until the investigation is over and, based on information from the woman, Montalbano begins to think the occupants of the yacht might know more about the man's death than they're letting on.

Camilleri, Andrea. The Dance of the Seagull: An Inspector Montalbano Mystery . New York. 2013. Penguin Books. 9780143122616. Translated from the Italian by Stephen Sartarelli. 277 pages. paperback. Cover design by Paul Buckley. Cover illustration by Andy Bridge.

FROM THE PUBLISHER –

Inspector Montalbano musts search for his missing right-hand man. But is he already too late? Before leaving for vacation with Livia, Montalbano witnesses a seagull doing an odd dance on the beach outside his home, when the bird suddenly drops dead. Stopping in at his office for a quick check before heading off, he notices that Fazio is nowhere to be found and soon learns that he was last seen on the docks, secretly working on a case. Montalbano sets out to find him and discovers that the seagull's dance of death may provide the key to understanding a macabre world of sadism, extortion, and murder.

Camilleri, Andrea. Treasure Hunt: An Inspector Montalbano Mystery. New York. 2013. Penguin Books. 9780143122623. Translated from the Italian by Stephen Sartarelli. 288 pages. hardcover. Cover design by Paul Buckley. Cover illustration by Andy Bridge.

FROM THE PUBLISHER –

In TREASURE HUNT, Montalbano is hailed as a hero after news cameras film him scaling a building—gun in hand—to capture a pair of unlikely snipers. Shortly after, the inspector begins to receive cryptic messages in verse from someone challenging him to go on a ‘treasure hunt.’ Intrigued, he accepts, treating the messages as amusing riddles—until they take a dangerous turn.

Camilleri, Andrea. Angelica's Smile: An Inspector Montalbano Mystery. New York. 2014. Penguin Books. 9780143123767. Translated from the Italian by Stephen Sartarelli. 293 pages. paperback. Cover design by Paul Buckley. Cover illustration by Andy Bridge.

FROM THE PUBLISHER –

The seventeenth installment of the beloved New York Times bestselling series that boasts more than 600,000 books in print The last four books in Andrea Camilleri's Inspector Montalbano series have leapfrogged their way up the New York Times bestseller list, perfectly positioning Angelica's Smile to ascend to even greater heights. A rash of burglaries has got Inspector Salvo Montalbano stumped. The criminals are so brazen that their leader, the anonymous Mr. Z, starts sending the Sicilian inspector menacing letters. Among those burgled is the young and beautiful Angelica Cosulich, who reminds the inspector of the love-interest in Ludovico Ariosto's chivalric romance, Orlando Furioso. Besotted by Angelica's charms, Montalbano imagines himself back in the medieval world of jousts and battles. But when one of the burglars turns up dead, Montalbano must snap out of his fantasy and unmask his challenger.

Camilleri, Andrea. Game of Mirrors: An Inspector Montalbano Mystery. New York. 2015. Penguin Books. 9780143123774. Translated from the Italian by Stephen Sartarelli. 277 pages. paperback. Art by Andy Bridge. Design by Paul Buckley.

FROM THE PUBLISHER –

In Game of Mirrors, Inspector Montalbano and his colleagues are stumped when two bombs explode outside empty warehouses—one of which is connected to a big-time drug dealer. Meanwhile, the alluring Liliana Lombardo is trying to seduce the Inspector over red wine and arancini. Between pesky reporters, amorous trysts, and cocaine kingpins, Montalbano feels as if he’s being manipulated on all fronts. That is, until the inspector himself becomes the prime suspect in an unspeakably brutal crime.

Camilleri, Andrea. A Beam of Light: An Inspector Montalbano Mystery. New York. 2015. Penguin Books. 9780143126430. Translated from the Italian by Stephen Sartarelli. 274 pages. paperback. Art by Andy Bridge. Design by Paul Buckley.

FROM THE PUBLISHER –

When Inspector Montalbano falls under the charms of beautiful gallery owner Marian, his longtime relationship with Livia comes under threat. Meanwhile, he is also troubled by a strange dream as three crimes demand his attention: the assault and robbery of a wealthy merchant's young wife, shady art deals, and a search for arms traffickers that leads him deep into the countryside, where the investigation takes a tragic turn.

Camilleri, Andrea. A Voice in the Night: An Inspector Montalbano Mystery. New York. 2016. Penguin Books. 9780143126447. Translated from the Italian by Stephen Sartarelli. 274 pages. paperback. Cover design by Paul Buckley. Cover illustration by Andy Bridge.

FROM THE PUBLISHER –

Two strange deaths lead Inspector Montalbano into investigations of corruption and power in the twentieth novel in the New York Times bestselling series. Montalbano investigates a robbery at a supermarket, a standard case that takes a spin when manager Guido Borsellino is later found hanging in his office. Was it a suicide? The inspector and the coroner have their doubts, and further investigation leads to the director of a powerful local company. Meanwhile, a girl is found brutally murdered in Giovanni Strangio’s apartment—Giovanni has a flawless alibi, and it’s no coincidence that Michele Strangio, president of the province, is his father. Weaving together these two crimes, Montalbano realizes that he’s in a difficult spot where political power is enmeshed with the mafia underworld.

Camilleri, Andrea. A Nest of Vipers: An Inspector Montalbano Mystery. New York. 2017. Penguin Books. 9780143126652. Translated from the Italian by Stephen Sartarelli. 261 pages. paperback. Cover design by Paul Buckley. Cover illustration by Andy Bridge.

FROM THE PUBLISHER –

A Nest of Vipers is the twenty-first novel in Andrea Camilleri's irresistible Inspector Montalbano series. Quite a family, you had to admit! A nest of vipers might be a better description . . . On what should be a quiet Sunday morning, Inspector Montalbano is called to a murder scene on the Sicilian coast. A man has discovered his father dead in his Vigàtan beach house: his body slumped on the dining room floor, his morning coffee spilt across the table, and a single gunshot wound at the base of his skull. First appearances point to the son having the most to gain from his father’s untimely death, a notion his sister can’t help but reinforce. But when Montalbano delves deeper into the case, and learns of the dishonourable life the victim led, it soon becomes clear half of Vigàta has a motive for his murder and this won’t be as simple as the Inspector had once hoped...

Camilleri, Andrea. The Pyramid of Mud: An Inspector Montalbano Mystery. New York. 2018. Penguin Books. 9780143128083. Translated from the Italian by Stephen Sartarelli. 256 pages. paperback. Cover design by Paul Buckley. Cover illustration by Andy Bridge.

FROM THE PUBLISHER –

The latest in the New York Times bestselling series has Italy’s favorite detective uncovering corruption and mafia ties in the world of construction and contracts. On a gloomy morning in Vigàta, a call from Fazio rouses Inspector Montalbano from a nightmare. A man called Giugiù Nicotra has been found dead in the skeletal workings of a construction site, a place now entombed by a sea of mud from recent days of rain and floods. Shot in the back, he had fled into a water supply system tunnel. The investigation gets off to a slow start, but all the evidence points to the world of construction and public contracts, a world just as slimy and impenetrable as mud. As he wades through a world in which construction firms and public officials thrive, Montalbano is obsessed by one thought: that by going to die in the tunnel, Nicotra had been trying to communicate something. The novels of Andrea Camilleri breathe out the sense of place, the sense of humor, and the sense of despair that fills the air of Sicily. —Donna Leon.

Camilleri, Andrea. The Overnight Kidnapper: An Inspector Montalbano Mystery. New York. 2019. Penguin Books. 9780143131137. Translated from the Italian by Stephen Sartarelli. 257 pages. paperback. Art by Andy Bridge. Design by Paul Buckley.

FROM THE PUBLISHER –

The day gets off to a bad start for Montalbano: while trying to break up a fight on Marinella beach, he hits the wrong man and is stopped by the Carabinieri. When he finally gets to the office, the inspector learns about a strange abduction: a woman was abducted, drugged, and then released unharmed only hours later. Within a few days, the same thing happens again. Both women are thirty years old and work in a bank. Montalbano also has to deal with an arson case. A shop has burned down, and its owner, Marcello Di Carlo, seems to have vanished into thin air. At first this seems like a trivial case, but a third abduction—yet again of a girl who works in a bank—and the discovery of a body bring up new questions.

Camilleri, Andrea. The Other End of the Line: An Inspector Montalbano Mystery. New York. 2019. Penguin Books. 9780143133773. Translated from the Italian by Stephen Sartarelli. 290 pages. paperback. Art by Andy Bridge. Design by Paul Buckley.

FROM THE PUBLISHER –

A wave of refugees has arrived on the Sicilian coast, and Inspector Montalbano and his team have been stationed at port, alongside countless volunteers, to receive and assist the newcomers. Meanwhile, Livia has promised their presence at a friend’s wedding, and the inspector, agreeing to get a new suit tailored, meets the charming master seamstress Elena Biasini. But while on duty at the dock one late night, tragedy strikes, and Elena is found gruesomely murdered. Between managing the growing crowds at the landing, Montalbano delves into the world of garments, in the company of an orphaned cat, where he works to weave together the loose threads of the unsolved crimes and close the case. Wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction… altogether transporting.–A.J. Finn, #1 New York Times bestselling author.

Camilleri, Andrea. The Safety Net: An Inspector Montalbano Mystery. New York. 2020. Penguin Books. 9780143134961. Translated from the Italian by Stephen Sartarelli. 261 pages. paperback. Art by Andy Bridge. Design by Paul Buckley.

FROM THE PUBLISHER –

Vigàta is bustling as the new filming location for a Swedish television series set in 1950. In the production frenzy, the director asks the locals to track down movies and vintage photos to faithfully recreate the air of Vigata in that time. Engineer Ernesto Sabatello, while rummaging in the attic of his house, finds some films shot by his father from 1958 to 1963, always on the same day, March 27 and always the same shot; the outside wall of a country house. Montalbano hears the story, and intrigued by the mystery of it, begins to investigate its meaning. Meanwhile, a middle school is threatened by a group of armed men, and a closer look at the situation finds Montalbano looking into the students themselves and finally delving into the world of social media.

Camilleri, Andrea. The Sicilian Method: An Inspector Montalbano Mystery. New York. 2020. Penguin Books. 9780143134978. Translated from the Italian by Stephen Sartarelli. 274 pages. paperback. Art by Andy Bridge. Design by Paul Buckley.

FROM THE PUBLISHER –

Mimi Augello is visiting his lover when the woman's husband unexpectedly returns to the apartment; he climbs out the window and into the downstairs apartment, but one danger leads to another. In the dark he sees a body lying on the bed. Shortly after, another body is found, and the victim is Carmelo Catalanotti, a director of bourgeois dramas with a harsh reputation for the acting method he developed for his actors. Are the two deaths connected? Catalanotti scrupulously kept notes and comments on all the actors he worked with, as well as strange notebooks full of figures and dates and names. Inspector Montalbano finds all of Catalanotti's dossiers and plays, the notes on the characters, and the notes on his last drama, Dangerous Turn--the theater is where he'll find the answer.

Camilleri, Andrea. The Cook of the Halcyon: An Inspector Montalbano Mystery. New York. 2021. Penguin Books. 9780143136187. Translated from the Italian by Steve Sartarelli. 241 pages. paperback. Cover art by Andy Bridge. Cover design by Paul Buckley.

FROM THE PUBLISHER –

Giovanni Trincanato has brought ruin to the shipyard he inherited from his father and when a worker he fires hangs himself on the construction site, Inspector Montalbano is called to the scene. In short order, the inspector loses his temper with the crass Giovanni, delivers a slap to his face, and unfortunately, it won’t be the last he sees of Trincanato. Meanwhile, a mysterious schooner called Halcyon shows up in the harbor, seemingly deserted except for just one man. With its presence comes even more mysteries, another death, and the arrival of the FBI. Alongside Sicilian-American Agent Pennisi, Montalbano and his team must attempt a suspenseful infiltration operation in this new, page-turning Inspector Montalbano mystery.

Camilleri, Andrea. Riccardino: An Inspector Montalbano Mystery. New York. 2021. Penguin Books. 9780143136798. Translated from the Italian by Steve Sartarelli. 260 pages. paperback. Cover art by Andy Bridge. Cover design by Paul Buckley.

FROM THE PUBLISHER –

The long-awaited last novel in the transporting and beloved New York Times bestselling Inspector Montalbano series. At eighty, I foresaw Montalbano’s departure from the scene, I got the idea and I didn’t let it slip away. So I found myself writing this novel which is the final chapter; the last book in the series. And I sent it to my publisher saying to keep it in a drawer and to publish it only when I am gone. –Andrea Camilleri. Montalbano receives an early-morning phone call, but this time it’s not Catarella announcing a murder, but a man called Riccardino who’s dialed a wrong number and asks him when he’ll be arriving at the meeting. Montalbano, in irritation, says: In ten minutes. Shortly after, he gets another call, this one announcing the customary murder. A man has been shot and killed outside a bar in front of his three friends. It turns out to be the same man who called him. Thus begins an intricate investigation further complicated by phone calls from the Author in tour de force of metafiction and Montalbano’s last case.

Inspector Montalbano’s early cases:

Camilleri, Andrea. Montalbano’s First Case and Other Stories. New York. 2016. Penguin Books. 9780143121626. Translated from the Italian by Stephen Sartarelli. 538 pages. paperback. Cover design by Paul Buckley. Cover illustration by Andy Bridge.

FROM THE PUBLISHER –

From the author of the New York Times–bestselling Inspector Montalbano mystery series, twenty-one short stories spanning the beloved detective’s career. Inspector Montalbano has charmed readers in nineteen popular novels, and now in Montalbano’s First Case and Other Stories, Andrea Camilleri has selected twenty-one short stories, written with his trademark wit and humor, that follow Italy’s famous detective through highlight cases of his career. From the title story, featuring a young deputy Montalbano newly assigned to Vigàta, to Montalbano Says No, in which the inspector makes a late-night call to Camilleri himself to refuse an outlandish case, this collection is an essential addition to any Inspector Montalbano fan’s bookshelf and a wonderful way to introduce readers to the internationally bestselling series.

Camilleri, Andrea. Death at Sea: Montalbano’s Early Cases. New York. 2018. Penguin Books. 9780143108818. Translated from the Italian by Stephen Sartarelli. 276 pages. paperback. Cover design and illustration by Andy Bridge.

FROM THE PUBLISHER -

You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen... transporting. Long live Camilleri, and long live Montalbano. —A.J. Finn, #1 New York Times bestselling author of The Woman in the Window. Set on the Sicilian coast, a collection of eight short stories featuring the young Inspector Montalbano. In 1980s Vigàta, a restless Inspector Montalbano brings his bold investigative style to eight enthralling cases. From jilted lovers and deadly family affairs to assassination attempts and murders in unexpected places, Death at Sea is the perfect collection to escape into Andrea Camilleri's unforgettable slice of Sicily.

If you have not seen it, the Italian TV series of Inspector Montalbano mysteries with Luca Zingaretti as Salvo Montalbano is a lot of fun!

Zingaretti Luca

... and then there is Young Montalbano with Michele Riondino

Riondino Michele

Camilleri Andrea Andrea Calogero Camilleri (6 September 1925 – 17 July 2019) was an Italian writer. Originally from Porto Empedocle, Sicily, Camilleri began university studies in the Faculty of Literature at the University of Palermo, but did not complete his degree. meanwhile publishing poems and short stories. From 1948 to 1950 he studied stage and film direction at the Silvio D'Amico Academy of Dramatic Arts (Accademia Nazionale d'Arte Drammatica) and began to take on work as a director and screenwriter, directing especially plays by Pirandello and Beckett. His parents knew, and were, reportedly, distant friends of, Pirandello, as he tells in his essay on Pirandello, Biography of the Changed Son. His most famous works, the Montalbano series, show many Pirandellian elements: for example, the wild olive tree that helps Montalbano think is on stage in his late work The Giants of the Mountain. With RAI, Camilleri worked on several TV productions, such as Le inchieste del commissario Maigret with Gino Cervi. In 1977 he returned to the Academy of Dramatic Arts, holding the chair of Film Direction and occupying it for 20 years. In 1978 Camilleri wrote his first novel Il Corso Delle Cose (The Way Things Go). This was followed by Un Filo di Fumo (A Thread of Smoke) in 1980. Neither of these works enjoyed any significant amount of popularity. In 1992, after a long pause of 12 years, Camilleri once more took up novel writing. A new book, La Stagione della Caccia (The Hunting Season) turned out to be a best-seller. In 1994 Camilleri published the first in a long series of novels: La forma dell'Acqua (The Shape of Water) featured the character of Inspector Montalbano, a fractious Sicilian detective in the police force of Vigàta, an imaginary Sicilian town. The series is written in Italian but with a substantial sprinkling of Sicilian phrases and grammar. The name Montalbano is a homage to the Spanish writer Manuel Vázquez Montalbán; the similarities between Montalban's Pepe Carvalho and Camilleri's fictional detective are noteworthy. Both writers make use of their protagonists' gastronomic preferences. This feature provides an interesting quirk which has become something of a fad among his readership even in mainland Italy. The TV adaptation of Montalbano's adventures, starring Luca Zingaretti, further increased Camilleri's popularity to such a point that in 2003 Camilleri's home town, Porto Empedocle – on which Vigàta is modelled – took the extraordinary step of changing its official name to that of Porto Empedocle Vigàta, no doubt with an eye to capitalising on the tourism possibilities thrown up by the author's work. On his website, Camilleri refers to the engaging and multi-faceted character of Montalbano as a serial killer of characters, meaning that he has developed a life of his own and demands great attention from his author, to the demise of other potential books and different personages. Camilleri added that he writes a Montalbano novel every so often just so that the character will be appeased and allow him to work on other stories. In 2012, Camilleri's The Potter's Field (translated by Stephen Sartarelli) was announced as the winner of the 2012 Crime Writers' Association International Dagger. The announcement was made on 5 July 2012 at the awards ceremony held at One Birdcage Walk in London. In his last years Camilleri lived in Rome where he worked as a TV and theatre director. About 10 million copies of his novels have been sold to date and are becoming increasingly popular in the UK (where BBC Four broadcast the Montalbano TV series from mid-2011), Australia and North America. In addition to the degree of popularity brought him by the novels, Andrea Camilleri became even more of a media icon thanks to the parodies aired on an RAI radio show, where popular comedian, TV host and impressionist Fiorello presents him as a raspy voiced, caustic character, madly in love with cigarettes and smoking, since in Italy, Camilleri was well known for being a heavy smoker of cigarettes. He considered himself a non-militant atheist. On 17 June 2019, Camilleri suffered a heart attack. He was admitted to hospital in a critical condition. He died on 17 July 2019. He has been buried in the Protestant Cemetery of Rome.

Stephen Sartarelli is a poet and translator.

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The Savage Detectives by Roberto Bolaño. New York. 2007. Farrar Straus Giroux. Translated From The Spanish By Natasha Wimmer. 577 pages. Jacket design by Rodrigo Corral. 0374191484.

0374191484 DESCRIPTION - New Year's Eve, 1975: Arturo Belano and Ulises Lima, founders of the visceral realist movement in poetry, leave Mexico City in a borrowed white Impala. Their quest: to track down the obscure, vanished poet Cesarea Tinajero. A violent showdown in the Sonora desert turns search to flight; twenty years later Belano and Lima are still on the run. The explosive first long work by 'the most exciting writer to come from south of the Rio Grande in a long time', THE SAVAGE DETECTIVES follows Belano and Lima through the eyes of the people whose paths they cross in Central America, Europe, Israel, and West Africa. This chorus includes the muses of visceral realism, the beautiful Font sisters; their father, an architect interned in a Mexico City asylum; a sensitive young follower of Octavio Paz; a foul-mouthed American graduate student; a French girl with a taste for the Marquis de Sade; the great-granddaughter of Leon Trotsky; a Chilean stowaway with a mystical gift for numbers; the anorexic heiress to a Mexican underwear empire; an Argentinian photojournalist in Angola; and assorted hangers-on, detractors, critics, lovers, employers, vagabonds, real-life literary figures, and random acquaintances. A polymathic descendant of Borges and Pynchon, Roberto Bolaño traces the hidden connection between literature and violence in a world where national boundaries are fluid and death lurks in the shadow of the avant-garde. THE SAVAGE DETECTIVES is a dazzling original, the first great Latin American novel of the twenty-first century.

Bolaño Roberto Roberto Bolaño (1953-2003) was born in Santiago, Chile. At fifteen, he moved with his family to Mexico and there became a Trotskyite and a journalist. In 1973, he returned to Chile and enlisted in Allende’s party but was imprisoned for a week after the military coup. He then went to El Salvador, where he knew the poet Roque Dalton, then to Mexico, and finally Spain where he worked as a dishwasher, waiter, night watchman, garbageman, longshoreman, and salesman until the 80’s when he could make enough money to support himself by writing, and publishing. In 1999 he won the extremely prestigious Herralde & el Rómulo Gallego Award, considered the Latin American Nobel Prize (García Márquez and Vargas Llosa have been other winners.) He died of liver failure in Barcelona, and is survived by his wife and two children.

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Citizen: An American Lyric by Claudia Rankine. Minneapolis. 2014. Graywolf Press. 9781555976903. 174 pages. hardcover. Cover art: David Hammons, In the Hood, 1993. Cover design: John Lucas.

9781555976903 DESCRIPTION - Claudia Rankine's Citizen comes at you like doom. It's the best note in the wrong song that is America. Its various realities 'mistaken' identity, social racism, the whole fabric of urban and suburban life—are almost too much to bear, but you bear them, because it's the truth. Citizen is Rankine's Spoon River Anthology, an epic as large and frightening and beautiful as the country and various emotional states that produced it. —Hilton Als. Claudia Rankine's Citizen combines intellectual generosity, fearlessness, beauty, and a salutary note of strangeness: she allows her ethical formulations to remain askew, tilted, ajar, so that ambiguity, hope, and sorrow can move in animating currents through her utterance's chambers. Rankine's work always repays close and admiring attention, and Citizen shows this brilliant poet and thinker advancing into urgent new zones of revelatory (and musically alert) investigation. —Wayne Koestenbaum. What does it mean to be a black citizen in the US of the early twenty-first century? Claudia Rankine's brilliant, terse, and parabolic prose poems have a shock value rarely found in poetry. These tales of everyday life—whether the narrator's or the lives of young black men like Trayvon Martin and James Craig Anderson—dwell on the most normal exteriors and the most ordinary of daily situations so as to expose what is really there: a racism so guarded and carefully masked as to make it all the more insidious. Rankine is never didactic: she merely presents, her eye for the telling detail and the documentary image allowing you to draw your own conclusions. Citizen is an unforgettable book. —Marjorie Perloff. Claudia Rankine's Citizen is a courageous, tough, bighearted giant of a little book. In our current climate of Post-black and go-along to get-along, Rankine suffers no fools and takes no prisoners but lovingly embraces and articulates the trauma and contradictions of what happens when one person is spat upon and another person spits.—William Pope.L. Rankine Claudia This book is made possible through a partnership with the College of St. Benedict, and honors the legacy of S. Mariella Gable, a distinguished teacher at the College.

Claudia Rankine is a Jamaican poet and playwright born in 1963 and raised in Kingston, Jamaica and New York City. She has taught at Case Western Reserve University, Barnard College, University of Georgia, and in the writing program at the University of Houston. As of 2011, Rankine is the Henry G. Lee Professor of Poetry at Pomona College.

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Catch-22 by Joseph Heller. New York. 1961. Simon & Schuster. 416 pages. hardcover.

catch 22 1961 DESCRIPTION - Catch-22 is a satirical, historical novel by the American author Joseph Heller, first published in 1961. The novel, set during the later stages of World War II from 1943 onwards, is frequently cited as one of the great literary works of the twentieth century. The novel follows Yossarian, a U. S. Army Air Forces B-25 bombardier, and a number of other characters. Most events occur while the airmen of the fictional Fighting 256th Squadron are based on a fictional version of the island of Pianosa, west of Italy. Many events in the book are repeatedly described from differing points of view, so the reader learns more about the event from each iteration, with the new information often completing a joke, or setup, the punchline of which was told several chapters previous. The narrative often describes these events out of sequence, and are referred to as if the reader already knows about them. Arguably the best novel to come out of World War II, in which Heller strips away the veneer of martial glory to expose its insanity, and gives our language a new paradoxical phrase to describe mankind at the mercy of its own institutions. The title is a reference to a bureaucratic catch, which embodies multiple forms of illogical and immoral reasoning seen throughout the book; and which itself is an absurd joke: namely, that bureaucratic nonsense has gotten to such a high level that even the catches are codified with numbers. A magazine excerpt from the novel was originally published as Catch-18, but Heller's agent, Candida Donadio, requested that it change the title of the novel so it would not be confused with another recently published World War II novel, Leon Uris's Mila 18. The number 18 has special meaning in Judaism and was relevant to early drafts of the novel which had a somewhat greater Jewish emphasis. The title Catch-11 was suggested, with the duplicated 1 paralleling the repetition found in a number of character exchanges in the novel, but due to the release of the 1960 movie Ocean's Eleven this was also rejected. Catch-17 was also rejected, so as not to be confused with the World War II film Stalag 17, as well as Catch-14, apparently because the publisher did not feel that 14 was a 'funny number'. Eventually the title came to be CATCH-22, which, like 11, has a duplicated digit, with the 2 also referring to a number of d?j? vu-like events common in the novel. Among other things, CATCH-22 is a general critique of bureaucratic operation and reasoning. Resulting from its specific use in the book, the phrase 'Catch-22' is common idiomatic usage meaning 'a no-win situation' or 'a double bind' of any type. Within the book, 'Catch-22' is a military rule, the self-contradictory circular logic that, for example, prevents anyone from avoiding combat missions. In Heller's own words: 'There was only one catch and that was Catch-22, which specified that a concern for one's safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle. '. 'That's some catch, that Catch-22,' Yossarian observed. 'It's the best there is,' Doc Daneeka agreed. ' Much of Heller's prose in CATCH-22 is circular and repetitive, exemplifying in its form the structure of a Catch-22. Heller revels in paradox, for example: The Texan turned out to be good-natured, generous and likable. In three days no one could stand him, and The case against Clevinger was open and shut. The only thing missing was something to charge him with. This atmosphere of apparent logical irrationality pervades the whole book. Other forms of Catch-22 are invoked throughout the novel to justify various bureaucratic actions. At one point, victims of harassment by military police quote the MPs as having explained one of Catch-22's provisions so: Catch-22 states that agents enforcing Catch-22 need not prove that Catch-22 actually contains whatever provision the accused violator is accused of violating. An old woman explains: Catch-22 says they have a right to do anything we can't stop them from doing. This nightmare of a bureaucracy crushing the individual with absurdity is similar to the world of Kafka's 'Trial', and Orwell's '1984', the concept of 'doublethink' having definite echoes in Heller's work. Yossarian comes to realize that Catch-22 does not actually exist, but because the powers that be claim it does, and the world believes it does, it nevertheless has potent effects. Indeed, because it does not exist there is no way it can be repealed, undone, overthrown, or denounced. The combination of brute force with specious legalistic justification is one of the book's primary motifs. The motif of bureaucratic absurdity is further explored in 1994's CLOSING TIME, Heller's sequel to CATCH-22. This darker, slower-paced, apocalyptic novel explores the pre- and post-war lives of some of the major characters in CATCH-22, with particular emphasis on the relationship between Yossarian and tailgunner Sammy Singer.

Heller Joseph Joseph Heller (May 1, 1923 – December 12, 1999) was an American satirical novelist, short story writer, and playwright. The title of one of his works, Catch-22, entered the English lexicon to refer to a vicious circle wherein an absurd, no-win choice, particularly in situations in which the desired outcome of the choice is an impossibility, and regardless of choice, a same negative outcome is a certainty. Although he is remembered primarily for Catch-22, his other works center on the lives of various members of the middle class and remain examples of modern satire.

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The Time of the Hero by Mario Vargas Llosa. New York. 1966. Grove Press. Translated From The Spanish By Lysande Kemp. 409 pages. Originally published in Spanish as La ciudad y los perros, 1962 - Editorial Seix Barral, S. A. , Barcelona.

Banned in Peru when it was originally published because it was considered scandalous, and even burned publicly, THE TIME OF THE HERO is the story of a group of rebellious military school cadets. Mario Vargas Llosa was reportedly not happy with the American title. He wanted it to be closer to the book's title in Spanish, something like 'The City of the Dogs.'

time of the hero grove press 1966 DESCRIPTION - The scene: a pitch-black lavatory after eights-out in a military academy. Four cadets are drawing lots for the night's mission. Their objective: the captain's office. Their target: to steal a copy of the next day's chemistry examination. Thus begins THE TIME OF THE HERO, a work which has been hailed by critics around the world as one of the best Spanish-language novels of recent decades. The author has set his novel at the Leoncio Prado Military Academy in Lima, Peru. In this microcosm, this city within a city, a group of cadets form still another circle in their attempt to break out of the vicious round of sadistic hazing, military discipline, confinement, and boredom. The cadets' rebellion is led by the Jaguar, an aloof, tough boy who refuses to be initiated and treated as one of the Dogs. Under his leadership seven cadets, later reduced to four, join forces to fight the system by smuggling in pisco and cigarettes, running midnight poker games in the latrine, selling answers to examinations, stealing or mutilating uniforms. The Poet, regarded as the class brain, writes and sells pornographic stories; the Boa, their sex hero, wins the contests they hold in their hide-out; and the Slave is their built-in scapegoat. But what began as pranks in their First Year turns into tragedy by the time the boys reach the Third Year-the point at which the novel opens. The officers' discovery of the theft of a crucial final exam sets off a cycle of betrayal, murder, and revenge which jeopardizes the entire military hierarchy. Moving back and forth from past to present, from inner thought to outer action, from within the Academy to the city outside, Vargas Llosa exposes the sordid world of the military elite, with its hypocrisy, moral decay, and power politics, and the corruption throughout the society beyond the Academy walls. Mario Vargas Llosa is a Peruvian writer who is one of Latin America's leading novelists and essayists.

Vargas Llosa Mario AUTHOR BIOGRAPHY - Jorge Mario Pedro Vargas Llosa (28 March 1936 – 13 April 2025), more commonly known as Mario Vargas Llosa, was a Peruvian novelist, journalist, essayist, and politician. Vargas Llosa was one of the most significant Latin American novelists and essayists and one of the leading writers of his generation. Some critics consider him to have had a more substantial international impact and worldwide audience than any other writer of the Latin American Boom. In 2010, he won the Nobel Prize in Literature for "his cartography of structures of power and his trenchant images of the individual's resistance, revolt, and defeat". Vargas Llosa rose to international fame in the 1960s with novels such as The Time of the Hero (La ciudad y los perros, 1963/1966), The Green House (La casa verde, 1965/1968), and the monumental Conversation in The Cathedral (Conversación en La Catedral, 1969/1975). He wrote prolifically across various literary genres, including literary criticism and journalism. His novels include comedies, murder mysteries, historical novels, and political thrillers. He won the 1967 Rómulo Gallegos Prize and the 1986 Prince of Asturias Award. Several of his works have been adopted as feature films, such as Captain Pantoja and the Special Service (1973/1978) and Aunt Julia and the Scriptwriter (1977/1982). Vargas Llosa's perception of Peruvian society and his experiences as a native Peruvian influenced many of his works. Increasingly, he expanded his range and tackled themes from other parts of the world. In his essays, Vargas Llosa criticized nationalism in different parts of the world. Like many Latin American writers, Vargas Llosa was politically active. While he initially supported the Cuban revolutionary government of Fidel Castro, Vargas Llosa later became disenchanted with its policies, particularly after the imprisonment of Cuban poet Heberto Padilla in 1971, and later identified as a liberal and held anti–left-wing ideas. He ran for the presidency of Peru with the centre-right Democratic Front coalition in the 1990 election, advocating for liberal reforms, but lost the election to Alberto Fujimori in a landslide. Vargas Llosa continued his literary career while advocating for right-wing activists and candidates internationally following his exit from direct participation in Peruvian politics. He was awarded the 1994 Miguel de Cervantes Prize, the 1995 Jerusalem Prize, the 2010 Nobel Prize in Literature, the 2012 Carlos Fuentes Prize, and the 2018 Pablo Neruda Order of Artistic and Cultural Merit. In 2011, Vargas Llosa was made Marquess of Vargas Llosa by the Spanish king Juan Carlos I. In 2021, he was elected to the Académie Française.

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Bolaño: A Biography in Conversations by Monica Maristain. Brooklyn. 2014. Melville House. 9781612193472. Translated from the Spanish by Kit Maude. 274 pages. hardcover. Translation of El hijo de Míster Playa. Una semblanza de Roberto Bolaño.

9781612193472 DESCRIPTION - The first biography of Chilean novelist Roberto Bolaño, the author of the international bestsellers The Savage Detectives and 2666. How to know the man behind works of fiction so prone to extravagance? In the first biography of Chilean novelist and poet Roberto Bolaño, journalist Mónica Maristain tracks Bolaño from his childhood in Chile to his youth in Mexico and his early infatuation with literature, to years of tremendous literary productivity in Spain, and to his untimely death and the posthumous and unprecedented stardom that came with the international publication of his novels The Savage Detectives and 2666. Bolaño: A Biography in Conversations is assembled from a series of rich interviews with the people who knew Bolaño best: we meet Bolaño's first publisher, who printed 225 copies of his first book of poetry; are introduced to his parents and an array of childhood friends, who watched a precocious young man turn into an obsessive writer who barely left the house; and witness the birth of Bolaño's famed Infrarealist literary movement. The book also sheds new light on aspects of Bolaño's life taht have long been shrouded in mystery: for the first time, we learn the details of his final illness and the drama of his final days. Throughout the book, Maristain present an image far removed from the stereotypes that have been created over the years, with the aim of reintroducing the man whose works grabbed readers worldwide. Maristain writes as a journalist and admirer, impressed with the power of Bolaño’s prose and the cool irony with which he faced the literary world.

Maristain Monica AUTHOR BIOGRAPHY - MÓNICA MARISTAIN is an editor, journalist, and poet. Born in Argentina, she has lived in Mexico since 2000. She has written for various national and international media, including the Argentine newspapers Clarín, Página/12, and La Nación, and in 1992 she was named Argentina's Journalist of the Year for her coverage of the Barcelona Olympics. She is currently the culture editor of SinEmbargo. Her much-cited interview with Roberto Bolaño, his last interview, was published by Melville House in Roberto Bolaño: The Last Interview and Other Conversations. KIT MAUDE translated Jorge Luis Borges: The Last Interview and Other Conversations.

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Do Androids Dream of Electric Sheep? by Philip K. Dick. London. 1977. Panther/Granada. 0586036059. 183 pages. paperback. Front cover illustration by Peter Goodfellow.

0586036059 DESCRIPTION - BOUNTY HUNTER, 1992 A.D. World War Terminus had left the Earth devastated. Through its ruins Rick Decard, bounty hunter, stalked in search of his renegade android prey. When he wasn't 'retiring' them with his laser gun, he dreamed of owning a live animal - the ultimate status symbol in a world all but bereft of non-human life. Then, one bleak January day, Rick got his chance. He was assigned to kill six Nexus-6 androids, representing a total bounty of six thousand dollars. But in Rick's world, things were never that simple. His assignment quickly turned into a nightmare kaleidoscope of subterfuge, deceit - and the threat of death for the hunter rather than the hunted. 'The most consistently brilliant SF writer in the world' - JOHN BRUNNER. 'Dick is quietly producing serious fiction in a popular form and there can be no greater praise' - MICHAEL MOORCOCK.

Dick Philip K Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American novelist, short story writer and essayist whose published work is almost entirely in the science fiction genre. Dick explored sociological, political and metaphysical themes in novels dominated by monopolistic corporations, authoritarian governments, and altered states. In his later works Dick's thematic focus strongly reflected his personal interest in metaphysics and theology. He often drew upon his own life experiences in addressing the nature of drug abuse, paranoia, schizophrenia, and transcendental experiences in novels such as A Scanner Darkly and VALIS. The novel The Man in the High Castle bridged the genres of alternate history and science fiction, earning Dick a Hugo Award for Best Novel in 1963. Flow My Tears, the Policeman Said, a novel about a celebrity who awakens in a parallel universe where he is unknown, won the John W. Campbell Memorial Award for best novel in 1975. ‘I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards,’ Dick wrote of these stories. ‘In my writing I even question the universe; I wonder out loud if it is real, and I wonder out loud if all of us are real.’ In addition to 44 published novels, Dick wrote approximately 121 short stories, most of which appeared in science fiction magazines during his lifetime. Although Dick spent most of his career as a writer in near-poverty, ten popular films based on his works have been produced, including Blade Runner, Total Recall, A Scanner Darkly, Minority Report, Paycheck, Next, Screamers, and The Adjustment Bureau. In 2005, Time magazine named Ubik one of the one hundred greatest English-language novels published since 1923. In 2007, Dick became the first science fiction writer to be included in The Library of America series.

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R.U.R. and the Vision of Artificial Life by Karel Capek. Cambridge. 2023. MIT Press. 9780262544504. Translated from the Czech by Stephan S. Simek. Edited by Jitka Cejkova. 292 pages. paperback. Translations of R.U.R. and Ze života hmyzu.

9780262544504 DESCRIPTION - A new translation of Karel Čapek’s play R.U.R.—which famously coined the term “robot”—and a collection of essays reflecting on the play’s legacy from scientists and scholars who work in artificial life and robotics. Karel Čapek's “R.U.R.” and the Vision of Artificial Life offers a new, highly faithful translation by Štěpán Šimek of Czech novelist, playwright, and critic Karel Čapek’s play R.U.R.: Rossum’s Universal Robots, as well as twenty essays from contemporary writers on the 1920 play. R.U.R. is perhaps best known for first coining the term “robot” (in Czech, robota means serfdom or arduous drudgery). The twenty essays in this new English edition, beautifully edited by Jitka Čejková, are selected from Robot 100, an edited collection in Czech with perspectives from 100 contemporary voices that was published in 2020 to celebrate the hundredth anniversary of the play. Čapek’s robots were autonomous beings, but biological, not mechanical, made of chemically synthesized soft matter resembling living tissue, like the synthetic humans in Blade Runner, Westworld, or Ex Machina. The contributors to the collection—scientists and other scholars—explore the legacy of the play and its connections to the current state of research in artificial life, or ALife. Throughout the book, it is impossible to ignore Čapek’s prescience, as his century-old science fiction play raises contemporary questions with respect to robotics, synthetic biology, technology, artificial life, and artificial intelligence, anticipating many of the formidable challenges we face today. Contributors: Jitka Čejková, Miguel Aguilera, Iñigo R. Arandia, Josh Bongard, Julyan Cartwright, Seth Bullock, Dominique Chen, Gusz Eiben, Tom Froese, Carlos Gershenson, Inman Harvey, Jana Horáková, Takashi Ikegami, Sina Khajehabdollahi, George Musser, Geoff Nitschke, Julie Nováková, Antoine Pasquali, Hemma Philamore, Lana Sinapayen, Hiroki Sayama, Nathaniel Virgo, Olaf Witkowski.

Capek Karel AUTHOR BIOGRAPHY - Karel Capek was a Czech journalist and playwright, as was his brother Josef who also had a considerable reputation as a painter of the Cubist School. Karel also wrote a sequel to R.U.R. with Josef, called Adam the Creator (1927), which showed man endeavouring to rebuild the world destroyed by robots. Karel's other publications include The Brigand (1920) The Makropulos Affair (1923) - which argued the case for longevity and decided against it; The White Scourge (1937) and The Mother (1938) - two anti-Fascist plays dealing with the rise of dictatorship and the devastating effects of war; and How A Play is Produced (an amusing short monograph).

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Woes of the True Policeman by Roberto Bolaño. New York. 2012. Farrar Straus Giroux. 9780374266745. Translated from the Spanish by Natasha Wimmer. 250 pages. hardcover. Jacket design by Charlotte Strick. Jacket art based on an illustration of an Agave americana plant by Jacopo Ligozzi. Translation of Los sinsabores del verdadero policía.

9780374266745 DESCRIPTION - Begun in the 1980s and worked on until the author's death in 2003, Woes of the True Policeman is Roberto Bolaño's last, unfinished novel. The novel follows Oscar Amalfitano - an exiled Chilean university professor and widower - through the maze of his revolutionary past, his relationship with his teenage daughter, Rosa, his passion for a former student, and his retreat from scandal in Barcelona. Forced to leave Barcelona for Santa Teresa, a Mexican city close to the U.S. border where women are being killed in unprecedented numbers, Amalfitano soon begins an affair with Castillo, a young forger of Larry Rivers paintings. Meanwhile, Rosa, Amalfitano's daughter, engages in her own epistolary romance with a basketball player from Barcelona, while still trying to cope with her mother's early death and her father's secrets. After finding Castillo in bed with her father, Rosa is forced to confront her own crisis. What follows is an intimate police investigation of Amalfitano that involves a series of dark twists, culminating in a finale full of euphoria and heartbreak. Featuring characters and stories from his other books, Woes of the True Policeman invites the reader more than ever into the world of Roberto Bolaño. It is an exciting, kaleidoscopic novel, lyrical and intense, yet darkly humorous. Exploring the roots of memory and the limits of art, Woes of the True Policeman marks the culmination of one of the great careers of world literature.

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Pop. 1280 by Jim Thompson. Greenwich. 1964. Fawcett/Gold Medal. 143 pages. paperback. k1438.

pop 1280 gold medal k1438 DESCRIPTION - 1277 of the citizens were just plain folk - thieves, simpletons, cheats. It was the other 3 - Myra, Amy, and Rose - who made Pottsville the hottest town this side of the Equator. As high sheriff of Potts County, Nick Corey spends most of his time eating, sleeping and avoiding trouble. If only people - especially some troublesome pimps, his foul-tempered wife, and his half-witted brother-in-law - would stop pushing him around. Because when Nick is pushed, he begins to kill . . . or to make others do his killing for him!

Thompson Jim AUTHOR BIOGRAPHY - James Myers Thompson (September 27, 1906 - April 7, 1977) was an American author and screenwriter, known for his pulp crime fiction. Thompson wrote more than thirty novels, the majority of which were original paperback publications by pulp fiction houses, from the late-1940s through mid-1950s. Despite some positive critical notice, notably by Anthony Boucher in The New York Times, he was little-recognized in his lifetime. Only after death did Thompson's literary stature grow, when in the late 1980s, several novels were re-published in the Black Lizard series of re-discovered crime fiction. Thompson's writing culminated in a few of his best-regarded works: The Killer Inside Me, Savage Night, A Hell of a Woman and Pop. 1280. A number of Thompson's books became popular films, including The Getaway and The Grifters. The writer R.V. Cassill has suggested that of all pulp fiction, Thompson's was the rawest and most harrowing; that neither Dashiell Hammett nor Raymond Chandler nor even Horace McCoy, author of the bleak They Shoot Horses, Don't They?, ever ‘wrote a book within miles of Thompson'. Similarly, in the introduction to Now and on Earth, Stephen King says he most admires Thompson's work because ‘The guy was over the top. The guy was absolutely over the top. Big Jim didn't know the meaning of the word stop. There are three brave lets inherent in the forgoing: he let himself see everything, he let himself write it down, then he let himself publish it.' Thompson admired Fyodor Dostoyevsky and was nicknamed ‘Dimestore Dostoevsky' by writer Geoffrey O'Brien. Film director Stephen Frears, who directed an adaptation of Thompson's The Grifters as 1990's The Grifters, also identified elements of Greek tragedy in his themes.

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