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Erasure by Percival Everett. Hanover. 2001. University Press of New England. 1584650907. 265 pages. hardcover. Cover photo by Elliott Erwitt.

  
DESCRIPTION - Avant-garde novelist, college professor, woodworker, and fly fisherman - Thelonious (Monk) Ellison has never allowed race to define his identity. But as both a writer and an African American, he is offended and angered by the success of WE'S LIVES IN DA GHETTO, the exploitative debut novel of a young, middle-class black woman who once visited some relatives in Harlem for a couple of days. Hailed as an authentic representation of the African American experience, the book is a national bestseller and its author feted on the Kenya Dunston television show. The book's success rankles all the more as Monk's own most recent novel has just notched its seventh rejection. Even as his career as a writer appears to have stalled, Monk finds himself coping with changes in his personal life. Forced to assume responsibility for a mother rapidly succumbing to Alzheimer's, Monk leaves his home in Los Angeles to return to the Washington D. C. house in which he grew up. There he must come to terms with his ailing mother, his siblings, his own childhood and youth, and the legacy of his physician father, a suicide some seven years before. In need of distraction from old memories, new responsibilities, and his professional stagnation, Monk composes, in a heat of inspiration and energy, a fierce parody of the sort of exploitative, ghetto wanna-be lit represented by WE'S LIVES IN DA GHETTO. But when his agent sends this literary indictment (included here in its entirety) out to publishers, it is greeted as an authentic new voice of black America. Monk - or his pseudonymous alter ego, Stagg R. Leigh - is offered money, fame, success beyond anything he has known. And as demand begins to build for meetings with and appearances by Leigh, Monk is faced with a whole new set of problems. Percival Everett's most recent novel, the academic satire GLYPH, was hailed b the New York Times as ‘both a treatise and a romp. This new novel combines a touching story of a man coming to terms with his family heritage and a satiric indictment of race and publishing in America.

AUTHOR BIOGRAPHY - Percival Everett (born December 22, 1956) is an American writer and Distinguished Professor of English at the University of Southern California. He is best known for his novels Erasure (2001), I Am Not Sidney Poitier (2009), and The Trees (2021), which was shortlisted for the 2022 Booker Prize. Erasure was adapted as the film American Fiction (2023), written and directed by Cord Jefferson, starring Jeffrey Wright, Sterling K. Brown, and Leslie Uggams.

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The Trees: A Novel by Percival Everett. Minneapolis. 2021. Graywolf Press. 9781644450642. 310 pages. paperback. Cover design: Kapo Ng.

  
DESCRIPTION - An uncanny literary thriller addressing the painful legacy of lynching in the US, by the author of Telephone. Percival Everett’s The Trees is a page-turner that opens with a series of brutal murders in the rural town of Money, Mississippi. When a pair of detectives from the Mississippi Bureau of Investigation arrive, they meet expected resistance from the local sheriff, his deputy, the coroner, and a string of racist White townsfolk. The murders present a puzzle, for at each crime scene there is a second dead body: that of a man who resembles Emmett Till. The detectives suspect that these are killings of retribution, but soon discover that eerily similar murders are taking place all over the country. Something truly strange is afoot. As the bodies pile up, the MBI detectives seek answers from a local root doctor who has been documenting every lynching in the country for years, uncovering a history that refuses to be buried. In this bold, provocative book, Everett takes direct aim at racism and police violence, and does so in a fast-paced style that ensures the reader can’t look away. The Trees is an enormously powerful novel of lasting importance from an author with his finger on America’s pulse.

AUTHOR BIOGRAPHY - Percival Everett (born December 22, 1956) is an American writer and Distinguished Professor of English at the University of Southern California. He is best known for his novels Erasure (2001), I Am Not Sidney Poitier (2009), and The Trees (2021), which was shortlisted for the 2022 Booker Prize. Erasure was adapted as the film American Fiction (2023), written and directed by Cord Jefferson, starring Jeffrey Wright, Sterling K. Brown, and Leslie Uggams.

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James by Percival Everett. New York. 2024. Doubleday. 9780385550369. 307 pages. hardcover. Jacket design by Emily Mahon.

DESCRIPTION - When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light. Brimming with the electrifying humor and lacerating observations that have made Everett a “literary icon” (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a major publishing event and a cornerstone of twenty-first century American literature.

AUTHOR BIOGRAPHY - Percival Everett (born December 22, 1956) is an American writer and Distinguished Professor of English at the University of Southern California. He is best known for his novels Erasure (2001), I Am Not Sidney Poitier (2009), and The Trees (2021), which was shortlisted for the 2022 Booker Prize. Erasure was adapted as the film American Fiction (2023), written and directed by Cord Jefferson, starring Jeffrey Wright, Sterling K. Brown, and Leslie Uggams.

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The Life and Opinions of Tristram Shandy by Laurence Sterne. New York. 1985. Penguin Books. Edited By Graham Petrie With An Introduction By Christopher Ricks. 659 pages. The cover shows Caricature of Laurence Sterne and Death by Thomas Patch, by kind permission of Jesus College, Cambridge. 0140430199. paperback.

DESCRIPTION - 'Nothing odd will do long,' said Dr Johnson; 'Tristram Shandy did not last.' But Tristram Shandy has lasted, to be cherished in the century of Joyce and Pirandello perhaps even more than in the eighteenth. No one description will fit this strange, eccentric, endlessly complex masterpiece. It is a novel about writing a novel in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations. It is also, in Christopher Ricks's words, 'the greatest shaggy dog story in the language.' 

LAURENCE STERNE was born in 1713 at Clonmel in Ireland, the son of an army ensign. From 1723 until his father's death in 1731 he was sent to school in Halifax, Yorkshire, and in 1733 he entered as a sizar at Jesus College, Cambridge, receiving his BA in 1737. With the help of his uncle Jacques, precentor and canon of York, Sterne earned his livings. He took holy orders and in 1738 obtained the living of Sutton-in-the-Forest, near York, and a prebend in the cathedral. In 1741 he married and through his wife's influence received the neighbouring benefice of Stillington. Their marriage was generally unhappy. Sterne's literary career began late; his first publication, a pamphlet called A POLITICAL ROMANCE, appeared in 1759. In the same year he began his masterpiece THE LIFE AND OPINIONS OF TRISTRAM SHANDY. The first two volumes made him a celebrity and he visited London where he was lavishly feted. Between 1761 and 5767 he brought out a further seven volumes. Sterne was dogged by ill-health for much of his life and during his latter years he alternated bouts of being lionized in London with recuperative continental travels. A SENTIMENTAL JOURNEY, published in 1768, was created from a seven-month trip through France and Italy. Laurence Sterne died in London in 1768.

GRAHAM PETRIE studied at St Andrews University and Brasenose College, Oxford. He teaches English and Film Studies at McMaster University, Hamilton, Ontario. He has published several books of film criticism, on Francois Truffaut, Hungarian cinema and American silent cinema, as well as a novel SEAHORSE and numerous short stories.

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Capital: Volume 1, A Critique of Political Economy by Karl Marx. Princeton. 2024. Princeton University Press. 9780691190075. Translated from the German by Paul Reitter. Edited by Paul North and Paul Reitter. Foreword by Wendy Brown. Afterword by William Clare Roberts. 857 pages. hardcover. Jacket design by Chris Ferrante.

DESCRIPTION - Marx for the twenty-first century. The first new English translation in fifty years—and the only one based on the last German edition revised by Marx himself. Featuring extensive original commentary, including a foreword by acclaimed political theorist Wendy Brown. “An astounding achievement.”—China Miéville, author of October: The Story of the Russian Revolution. Karl Marx (1818–1883) was living in exile in England when he embarked on an ambitious, multivolume critique of the capitalist system of production. Though only the first volume saw publication in Marx’s lifetime, it would become one of the most consequential books in history. This magnificent new edition of Capital is a translation of Marx for the twenty-first century. It is the first translation into English to be based on the last German edition revised by Marx himself, the only version that can be called authoritative, and it features extensive commentary and annotations by Paul North and Paul Reitter that draw on the latest scholarship and provide invaluable perspective on the book and its complicated legacy. At once precise and boldly readable, this translation captures the momentous scale and sweep of Marx’s thought while recovering the elegance and humor of the original source. For Marx, our global economic system is relentlessly driven by “value”—to produce it, capture it, trade it, and, most of all, to increase it. Lifespans are shortened under the demand for ever-greater value. Days are lengthened, work is intensified, and the division of labor deepens until it leaves two classes, owners and workers, in constant struggle for life and livelihood. In Capital, Marx reveals how value came to tyrannize our world, and how the history of capital is a chronicle of bloodshed, colonization, and enslavement. With a foreword by Wendy Brown and an afterword by William Clare Roberts, this is a critical edition of Capital for our time, one that faithfully preserves the vitality and directness of Marx’s German prose and renders his ideas newly relevant to modern readers. DAS KAPITAL, originally intended as an unbelievably ambitious (and never completed) six-volume work, represents one of the key landmarks in the scientific understanding of capitalist development, bourgeois society and the economics of class conflict. ‘What I have to examine in this work,' wrote Marx in the Preface, ‘is the capitalist mode of production,' its natural laws and tendencies ‘winning their way through and working themselves out with iron necessity'. In Volume 1 (1867) years of research resulted in a marvellously lucid exposition that builds up from the basic unit of the commodity to a detailed consideration of the labour theory of value, the role of money, the modern factory system and the ways in which capital extorts surplus-value from wage-labour. Throughout, Marx draws on a profound knowledge of nineteenth-century England to support his analysis and generate countless fresh insights. Yet despite the failure of some of his prophecies, there is nothing dated about Marx's main contentions and conclusions. In the words of Ernest Mandel in his introduction to the Penguin Classic edition of the book,  ‘Today's Western world is much nearer to the ‘pure' model of CAPITAL than was the world in which it was composed.'

AUTHOR BIOGRAPHY - Karl Marx (5 May 1818 - 14 March 1883) was a German philosopher, economist, sociologist, and revolutionary socialist. Marx's work in economics laid the basis for much of the current understanding of labour and its relation to capital, and subsequent economic thought. He is one of the founders of sociology and social science. He published numerous books during his lifetime, the most notable being The Communist Manifesto (1848) and Das Kapital (1867–1894).

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Travelling While Black: Essays Inspired by a Life on the Move by Nanjala Nyabola. New York. 2021. Oxford University Press. 9781787383821. 264 pages. paperback.   

DESCRIPTION - What does it feel like to move through a world designed to limit and exclude you? What are the joys and pains of holidays for people of colour, when guidebooks are never written with them in mind? How are black lives today impacted by the othering legacy of colonial cultures and policies? What can travel tell us about our sense of self, of home, of belonging and identity? Why has the world order become hostile to human mobility, as old as humanity itself, when more people are on the move than ever? Nanjala Nyabola is constantly exploring the world, working with migrants and confronting complex realities challenging common assumptions - both hers and others'. From Nepal to Botswana, Sicily to Haiti, New York to Nairobi, her sharp, humane essays ask tough questions and offer surprising, deeply shocking and sometimes funny answers. It is time we saw the world through her eyes.

AUTHOR BIOGRAPHY - Nanjala Nyabola is a writer and political analyst based in Nairobi, Kenya. Her work focuses on the intersection between technology and politics, as well as migration and human mobility. A constant traveller, at the time of writing she has visited over seventy countries across four continents.

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The Big Con: The Story of the Confidence Man and the Confidence Game by David W. Maurer. Indianapolis. 1940. Bobbs-Merrill. 300 pages. hardcover.  

DESCRIPTION - CON MEN DON'T STEAL - they literally have wads of cash thrust into their hands by trusting victims. Find out how they accomplish these dizzying feats in David Maurer's The Big Con, one of the finest and most entertaining portraits of confidence men and their games ever written. First published in 1940, it later inspired the Oscar-winning movie The Sting, and is to this day considered a classic of criminology. In addition to being a treasure trove of underworld lingo and unforgettable characters, The Big Con vividly illustrates the fundamental stages of every con, including Putting up the mark - finding a well-to-do victim Playing the con for him - gaining his or her confidence Giving him the convincer - allowing the victim to make a small profit Putting him on the send - sending him home to get more money Taking off the touch - fleecing the victim Forewarned is forearmed. In today's world of ever bigger Ponzi schemes, the price of this book might be the best money you ever spent. 

David Warren Maurer (April 12, 1906 – ca. June 11, 1981) was a professor of linguistics at the University of Louisville from 1937 to 1972, and an author of numerous studies of the language of the American underworld. Maurer received a doctorate from the Ohio State University in Comparative Literature in 1935. He spent much of his academic career studying the language of criminals, drug addicts, and other marginal subcultures. He died on his farm outside Louisville from a self-inflicted gunshot wound. The Big Con is Maurer's most popular and perhaps most important book. It was originally published in 1940 by Bobbs-Merrill Company. The source material for it came from Maurer's correspondence, interviews, and informal chats with hundreds of underworld denizens during the 1930s. Among the interviewed criminals were such figures as Joseph "The Yellow Kid" Weil, Charles Gondorff and Limehouse Chappie. Maurer won the trust of hundreds of grifters, who let him in on their language and their methods. The book served as a source for the film The Sting. Maurer wrote three other books, Narcotics and Narcotic Addiction, Whiz Mob: A Correlation of the Technical Argot of Pickpockets with Their Behavior Pattern, and Kentucky Moonshine. In all these books, Maurer described the language – mostly the lexicon – of the people living in these "subcultures." For example, in the last book he focused on the craft of the moonshiners, discussed their infiltration of "dry" counties and reported their terminology. Language of the Underworld is a collection of several of his previous published articles collected by two of his students. It includes an introduction that describes the methods he used to collect criminal argot. Maurer died at home at age 75, the apparent victim of a self-inflected gunshot wound.

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Aunt Julia and the Scriptwriter by Mario Vargas Llosa. New York. 1982. Farrar Straus Giroux. 0374106916. Translated from the Spanish by Helen R. Lane. 374 pages. hardcover. Jacket design (c) 1982 by Tom Christopher. Jacket photograph (c) 1982 by Alicia Benavides.

DESCRIPTION - Mario Vargas Llosa has long been acknowledged as one of Latin America’s most important writers. A novelist of wide-ranging concerns, Vargas Llosa has, with AUNT JULIA AND THE SCRIPTWRITER, written his comic masterpiece-a ribald, sophisticated tale of life and love in Lima of the 1950s. In AUNT JULIA AND THE SCRIPTWRITER he tells, in fact, two stories which unfold contrapuntally. On one level, the book concerns young Mario, who, while working at a second-rate Lima radio station, becomes romantically involved with Julia, his divorced, thirty-two-year-old aunt. The development of their liaison-from fling to romance to marriage-and the scandal it creates is the keenly observed, witty main plot. Interwoven with this love affair is the tale of Pedro Camacho, Mario’s friend at the radio station, and the resident scriptwriter of outlandish soap operas which are the hit of Lima. This second story is equally funny, but the humor is darker and the conclusion serious indeed. Camacho’s plots become more and more convoluted, and his absorption in them so total that soon he dresses like his characters in order to write, and finally confuses them so completely that he must destroy them all. His Gothic tales of ruin become a parable of his own rum. AUNT JULIA AND THE SCRIPTWRITER is a wonderful, deft story which is also an account of storytelling-its pleasures and its dangers. Combining grace, humor, and an understated seriousness, the book is a brilliantly realized tour de force.

The Avon Bard edition:

Vargas Llosa, Mario. Aunt Julia and the Scriptwriter. New York. 1983. Avon/Bard. 0380637278. Translated from the Spanish by Helen R. Lane. 374 pages. paperback. Front cover illustration by Victor Gadino.

  
FROM THE PUBLISHER -

‘FUNNY, EXTRAVAGANT . . . A WONDERFULLY COMIC NOVEL ALMOST UNBELIEVABLY RICH IN CHARACTER, PLACE AND EVENT.’ - LOS ANGELES TIMES BOOK REVIEW . . . ‘Me, seducing a kid? Never!’ Rich, sexy Aunt Julia wants a new husband, not a boy. But her nephew lost his virginity five whole years ago, and has now lost his head over Aunt Julia. Roses, kissing, cooing . . . will this May-September scandal ever get down to serious improprieties? Can the nephew hope for help from his hero, a crack scriptwriter of superheated soaps? While legions of soap addicts hang on the scriptwriter’s frenzied episodes of incest, murder, rape and perversion, the lovers’ happiness hangs in the balance. ‘WILL READERS TURN THE PAGES TO FIND OUT WHAT IS GOING TO HAPPEN NEXT? YES: ’ - PHILADELPHIA INQUIRER ‘UPROARIOUS ENTERTAINMENT . . . FOR SHEER WIT, IMAGINATION AND HIGH STYLE, THIS SOAP OPERA OF LOVE CANT BE BEAT: ’ - CHRISTIAN SCIENCE MONITOR . . . ‘ONE OF THE TWELVE ‘BEST NOVELS OF 1982’ – THE NEW YORK TIMES BOOK REVIEW.

AUTHOR BIOGRAPHY - Jorge Mario Pedro Vargas Llosa (28 March 1936 – 13 April 2025), more commonly known as Mario Vargas Llosa, was a Peruvian novelist, journalist, essayist, and politician. Vargas Llosa was one of the most significant Latin American novelists and essayists and one of the leading writers of his generation. Some critics consider him to have had a more substantial international impact and worldwide audience than any other writer of the Latin American Boom. In 2010, he won the Nobel Prize in Literature for "his cartography of structures of power and his trenchant images of the individual's resistance, revolt, and defeat". Vargas Llosa rose to international fame in the 1960s with novels such as The Time of the Hero (La ciudad y los perros, 1963/1966), The Green House (La casa verde, 1965/1968), and the monumental Conversation in The Cathedral (Conversación en La Catedral, 1969/1975). He wrote prolifically across various literary genres, including literary criticism and journalism. His novels include comedies, murder mysteries, historical novels, and political thrillers. He won the 1967 Rómulo Gallegos Prize and the 1986 Prince of Asturias Award. Several of his works have been adopted as feature films, such as Captain Pantoja and the Special Service (1973/1978) and Aunt Julia and the Scriptwriter (1977/1982). Vargas Llosa's perception of Peruvian society and his experiences as a native Peruvian influenced many of his works. Increasingly, he expanded his range and tackled themes from other parts of the world. In his essays, Vargas Llosa criticized nationalism in different parts of the world. Like many Latin American writers, Vargas Llosa was politically active. While he initially supported the Cuban revolutionary government of Fidel Castro, Vargas Llosa later became disenchanted with its policies, particularly after the imprisonment of Cuban poet Heberto Padilla in 1971, and later identified as a liberal and held anti–left-wing ideas. He ran for the presidency of Peru with the centre-right Democratic Front coalition in the 1990 election, advocating for liberal reforms, but lost the election to Alberto Fujimori in a landslide. Vargas Llosa continued his literary career while advocating for right-wing activists and candidates internationally following his exit from direct participation in Peruvian politics. He was awarded the 1994 Miguel de Cervantes Prize, the 1995 Jerusalem Prize, the 2010 Nobel Prize in Literature, the 2012 Carlos Fuentes Prize, and the 2018 Pablo Neruda Order of Artistic and Cultural Merit. In 2011, Vargas Llosa was made Marquess of Vargas Llosa by the Spanish king Juan Carlos I. In 2021, he was elected to the Académie Française.

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And for a slightly different perspective:

Urquidi Illanes, Julia. My Life With Mario Vargas Llosa . New York. 1988. Peter Lang. 0820406899. Translated from the Spanish by C. R. Perricone. Series XXII Latin American Studies Vol.1. 264 pages. hardcover.  

FROM THE PUBLISHER -

Living in a Paris garret with a struggling young writer who has since become a famous author was not fictional for Julia Urquidi Illanes when she married Mario Vargas Llosa. This English translation is an incredible but true 'portrait of an artist as a young man' and of his aunt by marriage, whom he later fictionalized in Aunt Julia and the Scriptwriter. Married for 9 years, Julia typed the first of his best-selling novels, The Time of the Hero, only to be abandoned when Mario fell in love with his first cousin Patricia, who is now his second wife. Readers will find this behind the scene account of a writer nominated for the Nobel prize gives insights into the creative processes of a novelist as it relates the range of human emotions in real life. 

Julia Urquidi Illanes (30 May 1926 - 10 March 2010) was a Bolivian writer. Urquidi was born in Cochabamba. She was famous as the first wife of Peruvian writer Mario Vargas Llosa (1955-1964) and also the namesake of one of his most famous novels, Aunt Julia and the Scriptwriter. In 1983 she published her memories titled Lo que Varguitas no dijo (English: What Varguitas did not say). She died in Santa Cruz de la Sierra, aged 83.The English translator Catherine R. Perricone is Professor of Foreign Languages at Auburn University specializing in current Spanish American literature. She edited Alma y Corazon (Heart and Soul) an anthology of Latin American poetesses, and has published articles on Vargas Llosa and other novelists, an extensive bibliography on feminist criticism and Spanish American poetesses, and other subjects in Hispanic literature which have appeared in such journals as Hispania, Foreign Language Annals, Circulo, USF Language Quarterly, and The Americas Review.

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Peasant Wars of the Twentieth Century by Eric R. Wolf. New York. 1969. Harper & Row. 328 pages. hardcover. Jacket design by Jules Maidoff.

DESCRIPTION -  'Peasant Wars of the Twentieth Century provides a good short course in the major popular revolutions of our century--in Russia, Mexico, China, Algeria, Cuba, and Viet Nam--not from the perspective of governments or parties or leaders, but from the perspective of the peasant peoples whose lives and ways of living were destroyed by the depredations of the imperial powers, including American imperial power. '-New York Times Book Review. 'Eric Wolf's study of the six great peasant-based revolutions of the century demonstrates a mastery of his field and the methods required to negotiate it that evokes respect and admiration. In six crisp essays, and a brilliant conclusion, he extends our understanding of the nature of peasant reactions to social change appreciably by his skill in isolating and analyzing those factors, which, by a magnification of the anthropologist's techniques, can be shown to be crucial in linking local grievances and protest to larger movements of political transformation. '--American Political Science Review 'An intellectual tour de force. '--Comparative Politics

Eric R. Wolf is Distinguished Professor of Anthropology Emeritus, Herbert H. Lehman College and the Graduate School of the City University of New York.

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Ice by Anna Kavan. Garden City. 1970. Doubleday. Introduction by Brian W. Aldiss. 176 pages. hardcover. Jacket by Alan Peckolick.

DESCRIPTION - Earth was doomed. Slowly and inexorably the world was entering a new and cataclysmic ice age. Like a plodding giant, walls of ice were covering the earth leaving in its wake total annihilation of life. And this great natural horror had been caused by the world's most brilliant scientists—one too many nuclear bombs had been released and the balance of nature had been irreparably altered. And where ice and snow hadn't knifed their way into the land, ravaging and brutal wars were taking their toll. Through this surrealistic nightmare of ice and ultimate death, two men search for a strangely elusive girl. One, referred to only as the Warden, becomes a military power in his own right when the wars begin. A cruel, sadistic, merciless man he seems the total personification of Man's negative qualities. The narrator is the other man, and while he searches and nearly dies in pursuit of his quarry, he is never quite sure what it is that drives him to her. For those few times when he does locate her, she escapes his grasp explaining that she would rather die than be with either him or the Warden. A deceptively simple plot becomes a chilling tour de force in the capable hands of Miss Kavan as she comments on the human condition both today and tomorrow. And her thoughts are all the more harrowing because of the basic truths they reveal.

   Anna Kavan (10 April 1901-5 December 1968; born Helen Emily Woods) was a British novelist, short story writer and painter. Kavan was addicted to heroin for most of her adult life, a dependency which was generally undetected by her associates, and for which she made no apologies. She is popularly supposed to have died of a heroin overdose. In fact she died of heart failure, though she had attempted suicide several times during her life. An inveterate traveler, Kavan spent twenty-two months of World War II in New Zealand, and it was that country's proximity to the inhospitable frozen landscape of Antarctica that inspired the writing of ICE. This post-apocalyptic novel brought critical acclaim, earning Kavan the Brian Aldiss Science Fiction Book of the Year award in 1967, the year before Kavan's death. She died at her home in Kensington on 5 December 1968.

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